Author | Xie Minghong

Editor | Li Chunhui

　

When they heard that R1SE would return to the competition of Creation Camp 2021, all the students were "What?" Shocked face. But when the camera slides to Liluxiu, his calm face is full of "I have nothing to do with the noise in the world, so … when will I get off work".

　

Keep LiLuXiu for me, and let me see how painful he can be! People are watching the legendary life of the working emperor Li, drawing a source of happiness from Gan Wangxing’s Changsha Plastic Shop, wondering how Han Meijuan became Han Peiquan, and seeing another possibility in Hu Yetao, the younger brother of the tea shop.

　

This year’s Creation Camp 2021 has set off a unique style of painting: many students obviously look so "out of place", but they feel "reckless" when they are put back into normal life. Such a lovely and luminous person with original ecology makes people have the impulse to understand and support deeply!

　

As an "international youth cultural exchange men’s team growth variety", the third program of Tencent video "Creation Camp 2021" came down. After the internationalization was fully discussed, the interaction between fans and idols began to surface.

　

The interaction between fans and idols is like a social and psychological mirror. If we support traditional idols, it is the desire of fans to chase after the light. So what changes have taken place in the behavioral logic and aesthetic orientation of these students who are closer to themselves? Creative Camp 2021, which gathered many "atypical idols", may give an answer.

　

The compensatory experience of the realization of the ideal.

　

Today last year, Chen Zhuoxuan’s sentence "Am I still not standing high enough?" surprised everyone.Nowadays, the popularity of students such as Li Luxiu, Gan Wangxing and Han Peiquan is not because they are "standing high", but because they are close to the people, like the program group picking them up casually from the street.

　

Liluxiu is the one who was "picked up" among 90 students. Due to the fact that 89 students in Creation Camp 2021 were short of one, Chinese teacher Li Luxiu was "arrested" by Goose Factory before filming, and the migrant workers changed their talents every second, starting a practice career of quitting the internet and mobile phones.

　

However, no one wants to "leave" the program earlier than Teacher Li, the son of Goose Selection. On the live broadcast on February 21, he stood in the center, cleanly pulled everyone to the middle and hid himself in the corner to paddle. Self-explosion-proof first person, the action of pulling is like a staff member.

　

In the second stage of the program, when other students screamed and shouted, Mr. Li watched the whole process calmly and elegantly, just like a clapping machine without feelings; In the third issue, facing the help of teammates, Teacher Li spoke the most frustrating challenge declaration with the most dragging pace: "We are here to see who wins."

　

Top expression management, an outsider in the draft forever, and teacher Li’s frustration have resonated with many migrant workers.However, fans have to change their lives and give him all kinds of red blessings. Thousands of shredded bamboo shoots (pink scales) rose from the ground, holding the supporting color "passers-by powder" and rushed into the super talk, successfully sending Mr. Li to the TOP1 of the super talk list of European and American stars, and then pushing him to the first place in the power station of Creation Camp 2021. In a word, all the bamboo shoots for entertainment have been taken away, and Teacher Li can’t get off work on time.

　

For atypical idols, the audience’s support psychology is different. Han Peiquan once became popular with short videos, but he took off his "disguise" on the draft stage and exposed his true face to people. Under the shell of online celebrity, which is free and easy and funny, lies the first half of suffering and the childlike innocence of dreaming. Those who chase Han Peiquan are chasing a sense of contrast and challenge. Gan Wangxing, who plays the ghost, is a male version of Cinderella. Her family is poor, but she has changed her situation step by step by relying on her own efforts. The fans who supported him, in addition to Yan Kong, were moved by the unyielding growth of teenagers.

　

Lacan’s mirror image theory holds that the image in the mirror is a different ideal that the subject can see in practice, but can’t touch. The popularity of popular students such as Li Luxiu, Gan Wangxing and Han Peiquan is undoubtedly because fans have found an ideal realistic mapping in them.

　

On the one hand, seeing idols realize their dreams will reap the peak experience of self-realization. Ordinary people who are worried about the triviality of life may no longer be able to realize their boyhood ambitions. Voting for them is also supporting the "impossible self". Li Luxiu’s "Buddhist Draft" is, to a large extent, the daily mentality of real office workers, and this sense of daily life is more likely to resonate.

　

On the other hand, the affirmation of popular students is also the psychological demand for the audience to seek group identity and belonging. Faced with the rapidly changing social landscape, individuals will inevitably have the fear of "uncertain ownership". Han Peiquan, who realized the fate counterattack, and Gan Wangxing, who works as a part-time NPC in the haunted house, all let the audience gain the value recognition from ordinary life.

　

Tuan and I, an unbreakable community of beliefs.

　

The best part of Creation Camp 2021 is the fairy friendship. With the arrival of Yigong, teenagers with different personalities have gradually gained comrades-in-arms who are "in the same robe as their sons" and group souls who are "indispensable".

　

Bo Yuan became the "leader" of the team, and the relaxed rhythm made the players feel like a spring breeze. Wei Yujie even sighed: "There is no problem that can’t be solved with him." They formed a partnership of being a teacher and a friend. They not only trained against time under the guidance of Bo Yuan, but also played like children, and collectively "worshipped the gods" when the captain fell asleep.

　

Yu Gengyin is not only the strategist of the team, but also the emotional adhesive of the partners, and actively observes the emotional changes of each player. When Hara Ling was depressed because of pronunciation problems, he took the initiative to comfort and explain to the vocal music teacher. When Wu Yuheng doubted his dancing, he encouraged him in a categorical tone: "You are the dancer of our team, you are!"

　

In the face of "Yummy" to be played on the same stage, Yu Gengyin led his teammates to turn the tables against the wind with a super sweet "Girl". The founder stands for tranquility: "As soon as they perform, you will know whether they have a soul or not, whether they are cohesive or fragmented."

　

Yu Gengyin wins the team with a combination boxing: Wu Yuheng is weak in dancing, and Yu Gengyin encourages him to practice more and jump more. Wu Hai is a strong choreographer, and Yu Gengyin gives him full play. While learning from each other’s strengths, Yu Gengyin, who is good at singing and dancing, "hides" himself from success. He knows very well: "An ultimate work is that when everyone sees the group, everyone’s luminous point is also seen."

　

Deng Chao, head of the sponsor group, concluded: "Team spirit is not to highlight one person, but to integrate oneself into it, and sometimes even to sacrifice oneself." The friction and integration between individuals and groups always happens on and off the stage: if individuals are too prominent, they will lose the collective, and if they seek a sense of collective, they must converge their personal spirit.

　

《ME！ Han Peiquan and Shao Mingming in the group have conflicting opinions, and Han Peiquan chose tolerance and forbearance from the overall situation; Zeng Hanjiang of Drunken Boxing Group voluntarily gave up Rap to challenge Vocal；; Zando of Yummy found it important to give players space. Even Mr. Li, who was determined to leave, was moved by his teammates: "On the one hand, I want to leave, on the other hand, I want to stay. It’s good to have new friends."

　

"Lit" group’s "poor" dance should be the biggest in a public stage: there are not only big dance shoulders like Powerful Pill and Liu Yu, but also small white people like Ren Yinpeng and Li Luoer who are not very reassuring. When riki taught Ren Yinpeng to "wear pants" dance, Ren Yinpeng, whose limbs were incompatible, was even more hilarious when he was imitated by riki.

　

Riki worked hard to coordinate training, trying to get every student stuck on the spot. Ren Yinpeng insisted on "I want to practice" and couldn’t help Versailles in the dormitory: "riki gives us lessons every day, just like free money." The selfless partnership between the great gods may be the reason for Ren Yinpeng’s emotional outburst after he won the support of the king.

　

His tears not only have the joy of being recognized for breaking through obstacles, but also have the regret that riki failed to win the support of the king, which is a mixture of sadness and joy. But the standard to measure a show may not be preconceived prejudgment, but the real-time performance on the spot. From the perspective of standard diversification, it is reasonable for Ren Yinpeng’s energetic performance to be liked by everyone. Ren Yinpeng’s success is also the success of riki and the team, otherwise riki wouldn’t say that he is as happy as his old father.

　

The group is a collective belonging to the individual. The individual to the group is an indispensable unique tone.The mode of getting along with each group is different, but its essence is the balance between "personal style" and "collective presentation". Gathering into a fire and scattering into stars, a public stage allows people to see this characteristic interpersonal relationship.

　

Accept me and build a universal value system

　

As a monster, everyone stopped, except Hu Yetao, who was kneeling on the ground and still shaking. Quiet insight into this performance design: "He still plays twice and shouts, which actually represents their hearts."

　

Hu Yetao is full of affection for this song: "It describes a group of people who are out of tune with the world, that is, they may wear masks during the day and find their true selves at night. What we want to bring to you on the stage today is to give strength to those so-called little monsters. Let’s go with love (warmth). "

　

Whether it is the value connotation of the selected songs or the individual symbols carried by the students, Creation Camp 2021 is using a gorgeous group image of the times to construct a value system that conforms to contemporary young people.Although you are different, someone will appreciate your calmness.

　

Gan Wangxing became a "medical miracle" in Zhou Zhennan’s mouth. In the first issue, he acted as a comedian. When introducing himself, he said "I’m a ghost" in a passive way, dancing like being intimidated, and the plastic accent directly ruined all the girls’ fantasies. After his third performance, Deng Chao has regarded him as an example. Although there is still huge room for improvement in singing and dancing, it is not the same as the "white paper" when I first entered the camp.

　

Han Peiquan doesn’t want to bid farewell to the "Han Meijuan" who brought her a turning point in life, but she is also worried that people will only remember this label. In ME! Before the performance, he said, "A year ago, everyone would question my musical dream. Today, I want to tell you I can do everything,this is me!"

　

He is too easy to fall into self-doubt, and after the failure of the challenge, he sobbed that he should not be the captain. It is easy for him to feel the goodwill of human nature and be coaxed like a child by his teammates. Everyone may have such a friend, or he is such a person.

　

Hu Yetao’s delicate and feminine appearance does not conform to the stereotype of men. He came to the stage of "Creation Camp 2021" from the tea shop, and used "As a Monster" to tell everyone the maverick and cool; Only when making fashion blockbusters can Liluxiu be inspired by worldly desires, and this feeling of "negative business" makes the audience feel another kind of truth of "not pretending to be uncompromising".

　

Their differences reflect the unlimited and inclusive nature of the program. The demand theory created by Maslow supplemented the "transcendental demand" in his later years, which refers to a desire to transcend his mental state. The significance and satisfaction we feel in Li Luxiu, Gan Wangxing and Han Peiquan are precisely the mental state of "I refuse to accept" declared for the reality.

　

Behind the support is every individual who projects his dreams on the students. Through the role effect of support, people unlock the experience that can’t be obtained in life, accept themselves more, and learn how to accept "different". Discover the existence of multiculturalism, and even pay attention to areas that have not been paid attention to. Supporting "different" also widens the width of life invisibly.

　

In the 1.0 era of idol market, people pay more attention to the relief valve function of the program, and the dazzling singing and dancing is enough to make people forget their worries for the time being; In the 2.0 era of idol market, creating and using atypical idols releases a signal: seeing and accepting differences. Allowing differences is the beginning of embracing diversity.

　

When diversified universal values enter the idol market from the social field, the appearance of "different" love beans may be more meaningful than boring propaganda. The castles with the highest aesthetic threshold have all opened their doors, so why don’t we open our arms?

China Business Daily (Reporter Tu Hanwen) On September 19th, Hua Xizi, who had been silent for several days, finally apologized, saying in a letter published by him: "I am very sorry for taking up too many public resources. I am grateful to everyone for their encouragement. We have fully recorded the relevant opinions, and the team is also comparing, revising and upgrading one by one, adhering to the initial intention, bringing better products and providing better services to everyone. "

In addition, in the comment area apologizing to Weibo, Hua Xizi said: "Thank you for your voice. Hua Xizi has prepared 10,000 copies of’ Hua Xibi’ and 100 gift boxes for free experience and collection of experience."

In this huge public opinion storm caused by Li Jiaqi on his own, the double crisis of the price of old domestic products and brand attributes is exposed. When the "sky-splashing wealth" disappears, when consumers gradually weaken the emotional filter, how can old-fashioned domestic products achieve the development against the sky?

Old-fashioned domestic products "stand up"

Before, Chairman Yu Meijing personally went into battle and danced live, and the anchor of Tianjin Store played Allegro. Later, Metersbonwe Bang Wei broadcasted the Northeast Yangko and turned handkerchiefs, and Golden Monkey Food took fans to the zoo to see monkeys … More and more old brands lost their burdens and collectively "worked" in the live broadcast room, trying their best to catch consumers’ eyes.

"Monkey monkey rushed to Tianjin Zoo overnight to bring you the live broadcast of the chairman’s’ toffee’". Following the footsteps of the "White Cat Chairman" becoming popular on the Internet, Golden Monkey Food aimed the live broadcast at its adopted Sichuan Golden Monkey; White elephant fresh also moved the live broadcast room to the elephant hall of Zhengzhou Zoo; Self-proclaimed "novice in commercial warfare", a big rooster was invited to the live candy room; The carved anchor put on a plush headgear and cos became a sculpture …

"There are also carved cards", "There are really elephants in the white elephant live broadcast room" and "The pressure is given to Wei Long, Phoenix and Seven Wolves …" The anchor met the wishes of netizens in a fancy way, and set off a climax of "stalk-playing carnival" on social platforms with a series of live animal broadcasts.

There are also many domestic live broadcast rooms on the track of "volume" talent-playing flute, allegro, yangko dance and disco dancing … In order to catch the traffic from the sky, the anchors who "really want to be seen" took turns to come into battle and took out 18 kinds of martial arts to ignite the enthusiasm of new fans. In this fiery live broadcast of domestic products "Tuanjian", many old brands that only have hundreds, dozens or even single-digit fans to watch the live broadcast unexpectedly ushered in the highlight moment of turning red against the trend.

"I can’t sleep at night, brush the live broadcast of the boss of Xiangge Guazi, and when all the goods are sold out, I will play the flute for everyone." A Shaanxi netizen shared on the social platform that the anchor of his hometown brand Xiangge Guazi didn’t even know how to put background music in the live broadcast room at first. When introducing the product, a few Shaanxi dialects appeared from time to time, but such unpretentious live broadcast made him feel very cordial. The slogan "Welcome fans and comrades to come to the Xiangge melon seed live room to guide the work" in the live broadcast room also attracted the attention of many netizens, who commented that "it’s the first time someone used’ coming to guide’ for me" and "he called me a fan comrade hahahaha", praising the anchor with unique painting style.

"The first impression brought by old domestic products is sincerity. The anchor may be amateur and not familiar with the live broadcast process, but he has been trying his best to keep up with the rhythm, will listen carefully to what everyone wants to see and interact with fans very grounded. " Netizen Xiao Hu said this.

It’s hard and hard.

"Compared with the airy four words’ where is it expensive’, these old brands that happily’ receive wealth’ and strive to catch up with the live broadcast tide can actually make people feel that domestic products are really difficult." Ms. Zhao, a post-90s consumer, told the China Business Daily that this time, domestic brands collectively landed in live broadcast rooms and social platforms, which made her see many old brands that were "never heard of, but actually older than their parents".

"I think it may be because they can’t afford to promote it. There are more than two pieces of toothpaste, soap and skin care products for more than ten dollars. Even if these brands give all their profits out, I am afraid it is not enough to find a big anchor to bring the goods." Ms. Zhao said.

"Old Chinese goods have always been there, but there is no chance to show them." On the social platform, local brands such as Yuhua and Heimei Toothpaste all said the same thing, which made netizens collectively "break the defense".

Since the development of live e-commerce, it is no secret that the sky-high commission and pit fee of the head anchor in the industry have long been. However, for many old domestic brands with small profits but quick turnover, it has become a very difficult thing to be seen by more people through live promotion. Although some brands attach great importance to online business in recent years, and have established live broadcast rooms early, most of them are self-broadcast, and their employees’ ability to attract traffic is far from being able to compete with professional and mature online celebrity anchors, so even in prime time of live broadcast, the number of viewers is often very limited.

"There are only a dozen people in our live broadcast room", "Online promotion is not watched, and praise is always a single digit" and "There are so many new products that no one knows" … In this wave of live broadcast of domestic products, more and more old brands share their experiences of falling into traffic difficulties in the past. The once well-known famous brand is "invisible" on the Internet. Facing the falling traffic, letting consumers know that this brand is "still alive" has become the first thing for many brands to broadcast live.

However, domestic brands facing many difficulties are not only turning red by "selling badly" this time. Under the attention of netizens, brands that have joined the "commercial war" have shown their best side one after another, and intuitively demonstrated their "continuous efforts" over the years with production lines full of science and technology, genuine products, hope and glory and various innovative achievements, thus proving to new fans and old friends that domestic products are worth buying.

"Efforts are bound to be seen. We are convinced that as long as we make products well, we can be seen by you. " In the live broadcast room of old domestic products, netizens infected by feelings have replied "I saw it", "Come on" and "I have placed an order for support", responding to the long-standing persistence of these brands with consumption enthusiasm.

How to "eat" domestic products for a long time

With the arrival of the highlight moment, many brands changed the background music in the live broadcast room to a song "Good Day", and even some anchors beat gongs and drums during the live broadcast to celebrate that they were finally "seen". On the social platform, there have also been ridicules such as "Jiaqi falls, domestic products are full".

However, the sudden red turn does not mean "long red", and domestic brands still have a long way to go to win the future.

"If you can’t keep the peak, you will go back to the way you came." The popularity of the three "little old man" anchors who were learning and broadcasting in the live broadcast room of Vitality 28 soared in just a few days, leaving a deep impression on netizens. From being embarrassed to shout "fan baby" and misusing forbidden words many times, to not knowing how to download and how to turn off the laborious operation of late payment, the "senior" anchors who tried live broadcast for the first time appeared to be in a hurry in the live broadcast room.

Some netizens were anxious for the anchor, leaving a message in the live broadcast room "Change young people", but they were told by Uncle Shen, an employee with 44 years of service: "Now young people don’t enter the factory, and I am the youngest." Under such circumstances, netizens used tolerance and patience to bring dawn to the vitality of the business crisis. But behind the warmth, what can’t be ignored is that the old domestic products that were once very popular but left behind by the new era need more "young strength".

Aside from the emotional filter, it is not difficult to find that the way old domestic products operate live broadcasts and social media accounts is out of touch with user habits. In a short video, the old brand Sioo3 Factory recounted the brand development history from the establishment of the factory in 1996 to the support of the Tangshan earthquake in 1976 and the flood fighting in 1998, and sincerely asked: "At the age of 63, I tried my best to run, but can I catch up with you and get some fans?" While expressing their feelings, netizens also put forward opinions such as "30 seconds have passed since gold, and I already want to take away the video, but I don’t know what to sell" and "I want to support you, but I don’t know how to buy it". In other words, this wave of traffic came too suddenly, and the old brands of "long drought meets rain" have not been fully prepared.

However, compared with the shortcomings of marketing, the inherent price advantage of old domestic products has created favorable conditions for them to open the market. Some netizens said that after watching the live broadcast, "there are a lot of domestic products in the shopping cart, which add up to only one hundred pieces", while the so-called "lowest price of the whole network" of similar products has doubled the price, and the visible benefits have poked the hearts of price-sensitive live broadcast audiences.

"Chasing live pictures? The ultimate cost performance and emotional resonance, both old domestic products accounted for. " Zhao Nvshi is very optimistic about the fans who "lost" the domestic brands in the live broadcast room in Li Jiaqi. "As long as the good quality and low price are true, I think there will be new fans willing to stay."

Original title: Hua Xizi throws 10,000 copies of "Hua Xizi" to quell public anger. Are the old domestic products ready to "rely on themselves"?

"The joys and sorrows of fools" in American Jewish novels

Time:14:00 on Friday, November 27th.

Location:Tencent Conference (ID: 48633483377), Bili Bili (live broadcast room: 22302852)

Speaker:Han Ying (Associate Professor, School of English, University of International Business and Economics)

Han Ying, whose main research fields are American Jewish literature, literature and the Bible, feminist studies, literary translation, etc. The theme of this lecture series on American Jewish novels for her is "the joys and sorrows of fools".

Good and evil: overthrowing stereotypes and challenging children’s cognition

Time:November 27th (Friday) 19:30-21:00.

Location:ZOOM conference (ID: 64694060879)

Guest:Cao Wenxuan (children’s literature writer), Eugene Cui Weicha (sociologist, children’s book writer)

In order to encourage children to fully participate in literature, writers realize that they must constantly strive to challenge young readers, deliver unexpected things, hit the theme that really resonates, and avoid cliches. In today’s activity, two respected writers, Eugene Trevicha of Greece and Cao Wenxuan of China, will discuss how to deal with the challenges faced by these children’s literature creations. They will also discuss their works, methods of literary creation, and how to keep children’s interest and enthusiasm for their works.

Multiple Universes of Family Life —— The First Sharing Meeting of Family Experiment in Shanghai

Time:November 28th (Saturday) 14:00-15:30

Location:Sina Weibo live video.

Speaker:Zhang Yiwei (writer)

It has been 15 years since Yoko wrote his first novel at the age of 18, just in time for the publication of "Youth Literature" and the opportunity for women to get a complete education, and she has changed from a writer to a writing educator. Family Experiment is the starting point for her to watch the world and life, which comes from all kinds of "dissatisfaction", dissatisfaction with family, dissatisfaction with love and dissatisfaction with knowledge. On Saturday afternoon, we listened to the family story written by writer Zhang Yiwei.

Artists, Writers, Picture Books —— Create a space for adults and children to connect.

Time:November 28th (Saturday) 17:00-18:30

Location:ZOOM conference (ID: 66327239940)

Guest:Xiong Liang (picture book writer) and Isabel Minhos Martins (children’s literature writer).

In picture books, art and words are interconnected to create a magical magical world. The resulting works can serve as a bridge between young readers and adults, and create a new space for them to share their different views on receiving information. We invited two famous writers of children’s literature-Isabel Minhos Martins and Xiong Liang from Zhejiang Province, China, to discuss how to create content that interests children.

Literary Fiction —— A Prism for Evaluating the World

Time:November 28th (Saturday) 19:00-20:30

Location:ZOOM conference (ID: 63665321370)

Guest:Zhang Yueran (writer) and Christopher Honore-Di-Bio (writer and journalist).

Just like ancient myths, practical significance can be found in the text and subtext of literary novels; These thoughts help to illuminate our existence, connect the present with the past, and provide unlimited possibilities for the future. We have invited two literary stars today: Christopher Honore di Biot from Le Havre, France, and Zhang Yueran from Jinan, Shandong. Christopher Honore di Biot is an outstanding French journalist and writer. His works have been translated into more than ten languages, and his work "Qian" will be published in Chinese by People’s Literature Publishing House.

A Tale of Two Cities: Two Types of Stylistics’ Pen Tip Shaping

Time:November 29th (Sunday) 12:00-13:30.

Location:ZOOM conference (ID: 62377049536)

Guest:Lemonas Briedis (writer), Zhou Kai (writer)

A book, writing a city. Lemonas Briedis published a new book, the nonfiction novel Vilnius: The City of Amber (2020, Xinxing Publishing House), and at the same time, Zhou Kai brought a new work, the historical fiction novel Moss (2019, CITIC Publishing House). Lemenas Briedis is a Lithuanian writer and a scholar of history, literature and geographical imaging. Vilnius: The City of Amber reflects European cultural history by studying the evolution of culture and language in Vilnius, the capital of Lithuania. Zhou Kai, from Leshan, Sichuan, published Moss in 2019 and won many important literary awards. This book revolves around Jiading in the Qing Dynasty, which is Leshan today. Lemenas Briedis and Zhou Kai will exchange their new books, the process of research and creation, and how to tell the story of the city in words.

Luxury and comfort brought by book collection

Time:November 29th (Sunday) from 13: 30 to 15: 00.

Location:Sina Weibo live video.

Guest:Zheng Shiliang (executive editor of The Paper Shanghai Book Review), Yu Shunxiang (western philologist), Yu Ruiyin (translator and sports columnist), Gu Zhen (editor and translator).

Modern storytelling should not only tell the stories of books, but also bring out the human touch, and arouse the resonance of people who also love books. It is closer to Dong Qiao’s so-called "book about books", which is readable and durable, interesting and informative. "Little Bookworm Series" is a collection of some books and articles, which is the gospel of reading lovers. This series is targeted at famous European and American artists, and is selected and translated by experts, so as not to be difficult to chew. This Sunday afternoon, I met with the translators Gu Zhen, Zheng Shiliang, Yu Ruiyin and Yu Shunxiang of the four books in the "Little Bookworm Series" to talk about the stories of European and American book hunters reading and collecting books.

From Nanchang to Nanchang

Time:14:00 on November 29th (Sunday)

Location:Live broadcast by Weibo, messenger of Shanghai Library.

Speaker:Such as water (history lecturer)

Although China is a traditional mainland country, its marine strategy and sea power awareness are also the focus of this country’s concern. In 1953, Chairman Mao made an important instruction that "in order to oppose imperialist aggression, we must build a strong navy". Among the large and small naval vessels, destroyers have the reputation of "marine light cavalry". The history of destroyers has lasted for more than 100 years, from Hawok to Island Wind, from bainbridge to Alibek. In the Republic navy, there is naturally this versatile figure at sea. So, what is the performance of the destroyer of the Republic Navy? What is the development context? We need to spend a little time sorting out and using public information to explain. From Nanchang to Nanchang, please watch and listen to the live broadcast on time.

Existentialism dilemma: a writer who captures the essence of life

Time:November 29th (Sunday) 17:00-18:30.

Location:ZOOM conference (ID: 61239045492)

Guest:Lune (writer), Dollt Knowles (writer)

The protagonist stands at an important crossroads, a scene of conflict, an uncertain future, and a crisis … These critical moments can play a striking role in literary novels and help to visualize the problem. In today’s activity, two outstanding writers will discuss with us their award-winning works and how they capture key emotions and moments in their writing. Dollt Knowles, a Danish short story writer, was shortlisted for the International Booker Prize in 2017. The novel "Sonia’s Driving Lesson" and the collection of short stories "Split with Hands" have been published by FLTRP in China.

Literary Imagination Community —— Russian Literature in the Second Half of 19th Century

Time:14:00 on Monday, November 30th.

Location:Tencent Conference (Link: https://meeting.tencent.com/live/17587582076843245739)

Speaker:Liu Wenfei (Professor, School of Foreign Languages, Capital Normal University)

The second half of the 19th century is the prosperous period of Russian literature and the upsurge of Russian national consciousness. There is a positive interaction between Russian literature and Russian national consciousness. To some extent, the so-called "Russian nature" is a literary imagination community built by the Russian nation with the help of literature in the second half of the 19th century, and the "literary centralism" that began to appear in this period has since become a unique Russian phenomenon.

Shaping: Immersing in creation

Time:December 1st (Tuesday) at 20:30.

Location:ZOOM conference (ID: 67129998762)

Guest:Stavros Chris Todoro (writer, journalist), Xia Shang (writer)

How to create comprehensive, multi-level and complicated characters and stories? How does the writer handle this process? What choices and sacrifices did they make in literature and structure? How do they find the right voice for the protagonist? In this discussion, we welcome Stavros Chris Todoro from Cyprus and Xia Shang from China. They will discuss the creative process and how the works are finally formed.

Embrace the literary muse

Time:December 3 (Thursday) at 19:30

Location:ZOOM conference (ID: 69528741666)

Guest:Oswaz Zepris (reporter, writer), Wang Suxin (writer)

How do writers look for literary muses? Where and how do writers draw inspiration from historical events or the daily world around them? What moved the writer physically, mentally and emotionally? In this activity, we invited two award-winning writers to discuss their creative process.

Attachment: Preview of offline activities

Beijing | Lu Xun should have three colors.

Time:November 27th (Friday) 19:00-20:30.

Location:No.40, Back Street, Dongcheng Art Museum, Mei Hou Si Shi Jingshan Citizen Cultural Center

Speaker:Li Guohua (Associate Professor, Chinese Department, Peking University)

Lu Xun under the Peach Blossom Tree gives a well-founded and interesting interpretation of Lu Xun, presenting a three-dimensional and rich image of Lu Xun. On Friday evening, we invited Associate Professor Li Guohua from the Chinese Department of Peking University to interpret this new book about Lu Xun.

Beijing | Let me tell you a story about the movie-the scene of kiss of the spider woman.

Time:November 27th (Friday) 20:00-22:00.

Location:Xiaodao, Floor 9, Joy City, No.101 Chaoyang North Road, Chaoyang District

Guest:Dai Jinhua (Professor, Doctoral Supervisor, Director of Peking University Film and Culture Research Center, Institute of Comparative Literature, Chinese Department, Peking University), Zhang Xianmin (Professor, Literature Department, Beijing Film Academy), etc.

Kiss of the spider woman, published in 1976, is the most well-known novel of Manuel Puyg, a famous Argentine postmodern writer. In 1985, it was adapted into a film of the same name and won the Oscar for Best Actor and other awards. The live event of kiss of the spider woman will be closely centered around the novel text, and teachers Dai Jinhua and Zhang Xianmin will be invited to make a live interpretation for everyone. Two excellent professional actors, Andy and Chen Zhe, read excerpts from the novel for everyone; Improvisation/noise artist Li Jianhong and musician Lao Zhai will jointly present live music for everyone, which will be integrated with the reading of the two actors. The scene will present the charm of this classic text in a rich and vivid way.

Beijing | Dunhuang Art and the History of China Painting

Time:14:00 on November 28th (Saturday)

Location:Peking University Erti Underground Lecture Hall B102, No.5 Summer Palace Road, Haidian District

Speaker:Zhao Shengliang (Dean and Researcher of Dunhuang Research Institute)

In the past, there were some difficulties in the study of China’s painting history, including the lack of research materials, limited published high-definition picture books and outdated research methods. The dilemma in the study of painting history highlights the important value of Dunhuang art. Dunhuang frescoes truly reflect the development of painting art during the 4th century to the 14th century, especially from Wei, Jin, Southern and Northern Dynasties to Sui and Tang Dynasties. Paintings handed down from generation to generation are extremely rare, and Dunhuang frescoes with abundant stocks can supplement the deficiency of painting history. We can identify the painting styles of famous painters such as Gu Kaizhi in the Eastern Jin Dynasty, Yan Liben, Wu Daozi, Zhou Fang and Li Sixun in the Tang Dynasty through the investigation of Dunhuang murals and the materials of ancient painting history, and fully understand the history of China painting.

Beijing | Love and hate are also enmities, and the fox world is the human world —— The offline book sharing meeting of Fox Shuo

Time:November 28th (Saturday) 14:00-16:30.

Location:Shanghai Sanlian Bookstore, Floor 9, Joy City, No.101 Chaoyang North Road, Chaoyang District

Guest:Hu Yansu (media person, writer), Yuan Fusheng (media person), Lu Yingshan (cartoonist)

Reading in Ming Dynasty and Yuelu Bookstore hosted the release and sharing activity of the new book "The Fox Theory", and invited the author Hu Yansu and the big coffee scholar to come to the scene to interpret past lives, a "fox spirit", together with the book lovers, and enjoy the elegant fun of China fox culture. From the perspectives of history, psychology and religion, this paper carefully discusses the "professional" problems such as how a fox changes from beast to demon, from demon to fairy, how to become a human being, how to cultivate, how to charm human beings, and so on.

Beijing | My 2020, Bookstore’s Past and Future

Time:November 28th (Saturday) 14:30-16:30

Location:5F One-way Space of Joy City, No.101 Chaoyang North Road, Chaoyang District

Guest:A Yi (writer), Jia Xingjia (writer), Wu Qi (editor-in-chief of Single Reading) and Luo Danni (editor-in-chief of one-way space).

If bookstores often participate in the cultural landscape of a city as a physical space, then publishing extends their life in time dimension by transforming ideas into printed matter. And when the bookstore is connected with publishing, what new sparks will collide? As the last stop of "Protecting the Light of the City and Supporting the Bookstore", on November 28th, we will invite several generations of publishers and writers who have grown up together with One-way Space to discuss the future of bookstores and publishing.

People, Ghosts and Animals in Beijing | Strange Land —— Zhao Lanzhen’s New Book Launch Conference

Time:November 28th (Saturday) 15:00-17:00.

Location:Bi ‘an Bookstore, Floor 1, Mudan Science and Technology Building, No.2 Huayuan Road, Haidian District

Guest:Zhao Lanzhen (writer), Qiu Huadong (writer), Zhao Dahe (writer), Lu Yuan (writer), etc.

On the occasion of the publication of Zhao Lanzhen’s three new books, big sleep, Cao Ling and Touch the Taste of Lightning, Houlang Literature will unite with the other shore bookstore and invite contemporary writers Qiu Huadong, Zhao Dahe, Li Hao, Lu Yuan and Zhu Yue to talk with Zhao Lanzhen about their creation and discuss the people, ghosts and beasts in their hometown. This is not only a search for hometown, but also a discussion about local literature itself and a torture of the times.

Beijing | Every lark that comes and goes is my old knowledge —— Zhu Xuedong’s New Book Sharing Meeting on Old News of Jiangnan: Home Returns to Dream.

Time:November 28th (Saturday) 15:00-17:00.

Location:SKP RENDEZ-VOUS, 2nd floor, SKP-S, No.86 Jianguo Road, Chaoyang District

Guest:Zhu Xuedong (media expert and scholar), Yang Kui (writer) and Yuan Mei (producer, screenwriter and writer).

Records of Old News in Jiangnan: Hometown Returning to Dream "is a bit record of the old rural life in Jiangnan by Zhu Xuedong, a famous media expert and scholar, and also a memory of childhood, adolescence and growth." These records and memories belong not only to the author himself, but also to everyone with similar life experiences in Jiangnan. On November 28th, we invited Zhu Xuedong, the author of "Old Stories of Jiangnan: Hometown Returns to Dreams", Yang Kui, the writer, and Yuan Mei, the producer, screenwriter and writer, to visit SKP RENDEZ-VOUS on the second floor of SKP-S to share the memories of Jiangnan’s homeland.

Beijing | How to read history books: homesickness specializes in all kinds of reading.

Time:19:30 on November 28th (Saturday)

Location:Southeast corner, 1st floor, Building A, Tencent Zhongchuang Space, No.338 Huilongguan East Street, Changping District Shanghai Sanlian Bookstore Weiyan Xiaoji

Guest:Deng Wenchu (Associate Professor, Institute of History, China University of Political Science and Law), Sung Bo Shim (Doctor of Law History, China University of Political Science and Law) and Zhou Qingfeng (Publisher).

On Saturday night, Mr. Deng Wenchu, who is known as a teacher who can turn concrete and trivial daily life into academic problems and put abstract and profound academic theories into daily life, took his new book Tianxia 1: A History of Foreign Strategies in Ming and Qing Dynasties as a guest at Shanghai Sanlian Bookstore, and talked about reading with Dr. Sung Bo Shim, a doctor of law and history, and Zhou Qingfeng, editor-in-chief of Weiyan Culture.

Beijing | Talk casually, starting with "Happiness"

Time:November 29th (Sunday) from 14: 00 to 16: 00.

Location:Zhongxin Bookstore, Floor 1, Qihao Building, No.8 Xinyuan South Road, Chaoyang District

Guest:Dan Bao (writer), Shen Shuzhi (writer), Xie Ding (reporter, writer)

The young writer Danbao published her first collection of novels, Happiness, which included nine short stories about people who had left their homes under various circumstances. On Sunday afternoon, the author of this book, Dan Bao, talked with two old friends, perhaps about writing, or about life, travel, nature and human observation. The three guests will also spend a long time talking with readers, asking questions and trying to answer them.

Beijing | online celebrity’s Writing in Novels —— Sharing Meeting of The Great Hao Size

Time:November 29th (Sunday) 14:30-16:30

Location:SKP RENDEZ-VOUS, 2nd floor, SKP-S, No.86 Jianguo Road, Chaoyang District

Guest:Zhou Wanjing (scholar, writer) and Hu Yunyun (scholar, writer, media person)

Online celebrity is no longer a noun or a kind of person, but an algorithm, an intelligence and an involuted system. Zhou Wanjing’s latest series of novels "The Great Hao Size" is based on the discussion of the family history of two online celebrity, which is not only close to the current reality, but also aims to reveal the logic of the algorithm and capital system behind online celebrity. On November 29th, in SKP RENDEZ-VOUS, on the second floor of SKP-S, I listened to writer Zhou Wanjing talking about online celebrity from novels and scholar Hu Yun talking about online celebrity from the current situation in China. The conversation started from the Great Hao Size, but it was far more than online celebrity.

Beijing | The Hidden Passage —— Time Narration of Contemporary Art

Time:November 29th (Sunday) 15:00-17:00

Location:SKP RENDEZ-VOUS, 4th floor, Beijing SKP Shopping Center, No.87 Jianguo Road, Chaoyang District

Guest:Wang Min ‘an (Professor of Tsinghua University College of Humanities), Sui Jianguo (Artist) and Zeng Yan (Reporter)

On the afternoon of November 29th, in SKP 4F SKP RENDEZ-VOUS, Beijing, Zeng Yan, the author of On-the-spot: An Interview with Contemporary Art, will be a participant in the conversation and also a questioner, and will talk about contemporary, contemporary art and time narrative with two guests.

Beijing | The History of Chivalry and the Inheritance of Chivalry —— Qiu Huadong’s New Book Launch Conference of Ten Chivalrous Men

Time:November 29th (Sunday) 19:00-20:30.

Location:Yonghe Bookstore, basement 1, north side of East Yonghe Palace Center, Hepingli West Street, Dongcheng District

Guest:Pan Kaixiong (critic), Qiu Huadong (writer), Shi Yifeng (novelist) and Lin Yao (writer).

Ten Chivalrous Men is a series of short historical chivalrous novels by Qiu Huadong. From the Spring and Autumn Period and the Warring States Period to the Ming and Qing Dynasties, it tells the stories of ten chivalrous men with their own characteristics. On Sunday evening, in Yonghe Bookstore, a new book release conference of Ten Heroes will be held. Writer Qiu Huadong and guests Pan Kaixiong, Shi Yifeng and Lin Yao will attend to share this new book with readers.

Beijing | The director of the Forbidden City said that the Forbidden City: The Forbidden City is 600 years old.

Time:November 29th (Sunday) 19:00-21:00.

Location:SKP RENDEZ-VOUS, 4th floor, Beijing SKP Shopping Center, No.87 Jianguo Road, Chaoyang District

Speaker:Li Wenru (Research Librarian of the Palace Museum)

Since its completion in 1420, the Forbidden City has stood in the center of Beijing for 600 years. What are the unknown historical stories of the 600-year-old imperial city, and what corners and scenery are worthy of your attention? On the evening of November 29th, in SKP RENDEZ-VOUS, the fourth floor of SKP in Beijing, Mr. Li Wenru will read this magnificent building and the timeless cultural heritage behind it.

Beijing | 2020, how can we coexist with fear?

Time:November 29th (Sunday) 19:00-21:00.

Location:5F One-way Space of Chaoyang Joy City, No.101 Chaoyang North Road, Chaoyang District

Guest:Deng Anqing (writer) and Li Tang (writer)

People’s fears are largely due to the uncertainty of the future. The coming year of 2020 is an extraordinary year. We have added our common fear to our personal fear, and this fear is not over yet. As a writer, Deng Anqing has many anxieties and anxieties about his newly started freelance career and the future road-although he is a "red man" who has published six books and has more than 130,000 concerns on Douban. On the evening of November 29th, Deng Anqing will share the writer’s dilemma with Li Tang, the editor of the library, and discuss how we can coexist with fear.

Shanghai | Shanghai-Taipei novel workshop dialogue activities two times

Time:13:30 on Friday, November 27th.

Location:Yijian Library, No.3, Lane 205, Nanchang Road, Huangpu District

Guest:Jin Yucheng (writer), Mao Jian (writer), Xiao Bai (writer), Gao Yifeng (writer), Chen Xue (writer), Cai Jun (writer), Hong Xue (writer), etc.

The 2020 Shanghai-Taipei Cross-Strait Literature Camp and Novel Workshop opened on November 27th! Jin Yucheng, Mao Jian, Chen Xue, Gao Yifeng and other 23 young literary creators, famous writers and literary critics from both sides of the Taiwan Strait will have a three-day exchange of works and a discussion on the theme of literary creation through online connection. On the afternoon of November 27th, the writers will have two dialogues, the themes of which are: image representation in literary expression and how to make fiction in virtual world.

Shanghai | Free Shuttle to the Novel World —— Wang Zhan Black "Little Hua Dan" New Book Salon

Time:19:00 on Friday, November 27th.

Location:Islands BOOKS, No.300-2, Yunjin Road, Xuhui District

Guest:Wang Zhan Hei (writer), Gu Xiang (writer and painter), btr (writer and translator) and Zhang Dinghao (literary critic).

Little Hua Dan is the latest collection of novels by young writer Wang Zhan Hei, which contains six short and medium-length works created in recent three years. On the evening of Friday, November 27th, Zhan Hei invited you to board a free bus to the novel world with her good friends Gu Xiang, btr and Zhang Dinghao.

Shanghai | My Reading Experience Phase II

Time:November 27th (Friday) 19:00-20:30.

Location:Zhida Bookstore, Floor 1.5, Fuhua Science and Technology Building, No.525 Guoquan Road, Yangpu District, Activity Space

Guest:Fu Jie (distinguished professor, Ma Yifu Academy, Zhejiang University) and Xu Jun (Executive Director and Party Secretary of Zhonghua Book Company)

In the second lecture of the famous lecture "My Reading Experience" hosted by Mr. Fu Jie, Mr. Xu Jun from Zhonghua Book Company was invited to share his precious reading experience and the exclusive book list accumulated for many years.

Shanghai | Under the Sun of Unknown Mainland —— Wine between Poetry and Cups and Lamps

Time:November 27th (Friday) 19:00-21:00.

Location:Poorthater area between 104 God Beasts, Phase 4, No.8 Bridge, No.457 Jumen Road, Huangpu District

Guest:Bao Huiyi (Associate Professor of English Department, School of Foreign Languages, Fudan University), Chen Jie (Associate Professor of French Department of Foreign Languages, Fudan University), Jiang Linjing (Associate Professor of German Department, School of Foreign Languages, Fudan University), Zhang Jiahao (Senior Taster), Hai (Poet, Translator, Associate Professor of British Department, School of Foreign Languages, Fudan University), Xiang Dingding (Associate Professor of British Department, Fudan University).

If there were no wine, there would be no great ancient Greek tragedy, no poet among poets-"The Nightingale of Shiraz" Hafez, no search for infinite Goethe in the limit, and no Rambo who opened a grand banquet in life. On Friday night, the beasts will join hands with the China-Australia Creative Writing Center of Fudan University to give you a triple experience of sight, hearing and taste by reading wine images in classic literature and paintings, reading wine poems and tasting sessions led by senior sommeliers.

Shanghai | On the Golden Age of Japanese Film

Time:November 27th (Friday) 19:00-21:00.

Location:Pudong Library Rong Study Room, 3rd Floor, No.150 Pucheng Road, Pudong District

Guest:Cai Jianping (Japanese film researcher and curator) and LOOK (film critic)

This Friday, Lujiazui Reading Club invited Cai Jianping, a senior Japanese film scholar, curator, film selection consultant of Beijing International Film Festival, senior film critic, film selector of Shanghai International Film Festival, and LOOK, the review judge of FIRST Youth Film Festival, to introduce the Chinese translation of Lizard’s Tail: My Hidden Film Past, focusing on the studio system, master classics, newcomers’ masterpieces, commercial types, dazzling stars, movie-watching culture, etc. in the golden age of Japanese films.

Shanghai | Don’t miss those old people when you are young.

Time:November 27th (Friday) 19:30-21:00.

Location:Sinan Bookstore, No.517 Fuxing Middle Road, Huangpu District

Guest:Zhou Limin (executive deputy curator of Ba Jin’s former residence) and Liu Ning (moderator)

The Old Man Older than Me is a collection of Huang Yongyu’s classic essays, and Don’t Give Him Music is a new edition of Huang Yongyu’s essays in recent years. Two new books, Huang Yongyu, are specially hand-painted with color pictures and self-portraits, and they are also equipped with more than a dozen private historical photos and pro-painted illustrations, which are interesting. On Friday night, Zhou Limin, the executive deputy director of Ba Jin’s former residence, and Liu Ning, the host of Shanghai Radio and TV Station, will come to Sinan Bookstore to interpret two new books, Old Man Older than Me and No Music for him, by Huang Yongyu, and talk about the old people who should not be missed when they are young.

Shanghai | Whatever you want, the music will be the same —— Guo Xiaohan’s new book sharing meeting of Sasha Vujacic Growth and Born Rock & Roll Shanghai Station

Time:November 27th (Friday) 19:30-21:30.

Location:One-way space 3F of Atour S Hotel, Building 2-C, Aegean Shopping Park, No.1588 Wuzhong Road, Minhang District

Guest:Guo Xiaohan (music critic), Sun Mengjin (music critic, film critic, poet), Xiang Siwei (editor)

Writing two books, Sasha Vujacic Growth and Born Rock, is a period of self-combing and self-redemption for Guo Xiaohan during the epidemic. Looking back and reviewing herself, she found that the most precious thing left was some unrepeatable and reproducible time. This coincides with the development of independent music in China in the past twenty years. Now, with these two books and these precious music stories, she will start her own "tour" like "wandering the rivers and lakes" ten years ago, expecting to meet you unexpectedly in various cities.

Shanghai | A Generation’s Translation of French Literature —— Sharing Meeting of Zheng Kelu’s Collected Works

Time:November 28th (Saturday) 14:00-16:00

Location:Sinan Literature House, No.505 Fuxing Middle Road, Huangpu District

Guest:Chu Xiaoquan (distinguished professor, Ph.D. Supervisor, Fudan University) and Yuan Li (Professor, Doctoral Supervisor, Head of French Department, School of Foreign Languages, Fudan University)

Zheng Kelu, a famous French literature expert and translator, a professor at Shanghai Normal University and a senior translator at the Commercial Press, left us in September this year. Since 2018, Mr. Wang has successively published more than 30 volumes of Collected Works of Zheng Kelu in the Commercial Press, which has now become a precious wealth left by Mr. Wang to the world. In this activity, we specially invite Professor Chu Xiaoquan and Professor Yuan Li from the School of Foreign Languages of Fudan University to share with readers this great achievement covering half of the classics of French literature, to reflect on Mr. Chu’s life and work, and to review the translation of French literature for a generation.

Shanghai | Tiny Life and Death —— A New Book Sharing Meeting of Life and Death Lesson

Time:November 28th (Saturday) 14:00-16:30.

Location:Building a bookstore on the first floor of Jiayu Building, Building 8, No.18 Gongping Road, Hongkou District

Guest:Yuan Ling (writer), Huang Dehai (critic, deputy editor-in-chief of Sinan Literature), Li Zongtao (non-fiction writer)

The peddler in Wangjing ward, the wandering children in the new world, the stranger who compiled the county annals, the family on the memorial wall … These little people who lived on the ground, or the anonymous people who were stacked in the historical strata, were mostly met by Yuan Ling, a non-fiction writer, during her growth experience, interviews and surveys, and public welfare visits. Yuan Ling spent six years, "recounting the details of his existence, sketching the veins of human nature, and keeping a memorial of his life", and wrote a collection of short records, Life and Death Lesson, which is also the first original work of the "Translation Documentary" book department of Shanghai Translation Publishing House. On the afternoon of November 28th, Shanghai Translation Publishing House invited Yuan Ling, the author of Life and Death Course, critic Huang Dehai and non-fiction writer Li Zongtao to visit Jiantou Bookstore, Shanghai Pujiang Store, to experience the tiny life and death of the characters in the book and appreciate the charm of non-fiction writing.

Sinan Road in Shanghai | Literary Map

Time:November 28th (Saturday) 14:00-16:00

Location:No.300 Nanchang Road, Huangpu District

Guest:Tang Weijie (Associate Professor, School of Humanities, Tongji University) and Tang Ying (Writer)

In the works of the famous novelist Tang Ying, Nanchang Road and its surrounding blocks are an important scene. This "Nanchang Road Cross-border Meeting Room" is fortunate to invite Tang Ying and Tongji University’s Associate Professor, critic and urban history researcher Tang Weijie to share the scenes that exist in the novel with readers.

Shanghai | The Residence of Time —— Historical Dwellings in the Old Town of Shanghai

Time:November 28th (Saturday) 14:00-16:30.

Location:Ye Li Nong, the main entrance on the first floor of No.42 Yugucun, Lane 361 Yuyuan Road, Jing ‘an District.

Speaker:Lu Zhongxin (Senior Economist)

Lu Zhongxin once lived in Shikumen residence in the old city for more than 40 years, worked in Shanghai real estate industry for a long time, and served as the deputy general manager of Zhongfang Shanghai Real Estate Development Group Co., Ltd. Therefore, he has deep memories and feelings for every tree and grass in the old city, as well as various types of buildings and blocks. "The Residence of Time" is the view of a practitioner in the construction industry and a photographer, and he recorded the old city box buildings and street features that are being demolished step by step with the lens and concise words. On Saturday afternoon, Lu Zhongxin will be a guest at the Wild Beaver Lane to tell you about the historical memory of the old city.

Shanghai | Between the Light and Shade of History: A Sharing Session of the New Book "Who Will I Embrace at this Time?"

Time:November 28th (Saturday) 19:00-21:00.

Location:Building a bookstore on the first floor of Jiayu Building, Building 8, No.18 Gongping Road, Hongkou District

Guest:Yuan Yidan (Associate Professor, School of Literature, Capital Normal University), Qiu Luming (Associate Professor, History Department, Fudan University), Jin Li (Associate Professor, Chinese Department, Fudan University) and Wei Zhou (Book Reviewer)

Yuan Yidan, Ph.D. in Chinese Department of Peking University and an associate professor in the College of Literature of Capital Normal University, wrote a new book, Who Should I Embrace at this Time? The title of the book was taken from Gu Sui’s words written during the occupation of Beiping. The articles recorded in this episode explore the history between light and shade, the expression of subtle hidden songs, and the worries of people in history. On the evening of November 28th, Jiantou Bookstore, together with Shanghai Literature and Art Publishing House, invited young scholars of literature and history Yuan Yidan, Qiu Luming, Jin Li and Wei Zhou to discuss with readers what is personal history, how to grasp the history that is happening, and how to listen to the voices of small people in the great era.

Shanghai | "Wulibo" in the Glass House —— A Special Event for the 60th Anniversary of Wulibo’s Founding

Time:November 28th (Saturday) 19:00-21:00.

Location:Poorthater area between 104 God Beasts, Phase 4, No.8 Bridge, No.457 Jumen Road, Huangpu District

Guest:Btr (writer and translator) and Zhu Fa (novelist and poet)

Oulipo (Ouvroir de Littleé Rature Potential), which means "potential literary workshop" in French, is a literary group composed of poets and mathematicians, which was founded in November 1960 and is still active today. In China, 50 works of Yu Ben by more than five Wulibo writers have been translated into Chinese, such as Calvino and georges perec. This Saturday night, on the occasion of the 60th anniversary of the founding of Wulibo, we invited btr and Zhu Fa to visit this "glass house" between the beasts to have a talk around Wulibo. They will introduce their favorite works of Wu Libo, analyze the "Wu Libo" in China’s works and share their creative practice. They will also discuss with readers the enlightening significance of Wu Libo’s ideas for reading and writing.

Shanghai | Ozu you don’t know

Time:13:30 on November 29th (Sunday)

Location:FILM Film Time Bookstore, No.322 Anfu Road, Xuhui District

Guest:Chen Feixue (book editor) and Cai Jianping (Japanese film researcher and curator)

Yasujirō Ozu was born in Shenchuan, Tokyo. He worked as a photography assistant in Matsuzaka early, and became a director in 1927. He is good at discovering beauty from nuances and has his own unique shooting method. The ultra-low-altitude composition has also influenced many filmmakers. Many people have seen his films, but have you seen his plays? Have you read his diary? "I run a tofu shop, and I only make tofu." Ozu has his own philosophy of life. This activity will take you to the private story of movie master, who has a unique personal style.

Shanghai | The Park in the Movie　

Time:November 29th (Sunday) 15:00-17:00

Location:4F Multifunctional Conference Hall of Shanghai Duolun Modern Art Museum, No.27 Duolun Road, Hongkou District

Speaker:Tang Weijie (Associate Professor, School of Humanities, Tongji University)

Park is undoubtedly an important space field and landscape that constitutes modern life. Interestingly, the film, a modern visual technology, has had parks on its copies since its inception. This lecture will focus on the special connection between park and film, and the park in four films will be the focus of discussion: Kite (1958, co-production between China and France), Magician’s Adventure (1962, Mulberry Arc), China (1972, Mi antonioni) and The World (2004, Jia Zhangke).

Guangzhou | "Learning Poetry from A Dream of Red Mansions" New Book Launch and Poetry Culture Lecture

Time:November 28th (Saturday) 10:20-12:00.

Location:The lobby on the first floor of Guangzhou Book Center, No.123 Tianhe Road, Tianhe District.

Speaker:Zhang Yinan (Assistant Professor, Ancient Room, Chinese Department, Peking University)

On the morning of November 28th, a new book "Learning Poetry from A Dream of Red Mansions" and a lecture on poetry culture will be held in the lobby on the first floor of Guangzhou Book Center. Teacher Zhang Yinan from the Chinese Department of Peking University will lead you to relive the extreme elegance of A Dream of Red Mansions, wander around the poetic world of Grand View Garden, and talk about the poetic culture and creation.

Guangzhou | Buried Ideological Heritage: Sharing Meeting of the New Book Mask and Utopia of "Translation Series of Latin American Thoughts"

Time:15:00 on November 28th (Saturday)

Location:Multifunctional Hall, 4th Floor, Xueeryou Bookstore, No.93 Xingang West Road, Haizhu District

Guest:Teng Wei (Professor, School of Literature, South China Normal University) and Weasion Wei (Associate Research Fellow, Institute of Foreign Literature, China Academy of Social Sciences)

In this activity, two editors-in-chief of "Translation Series of Latin American Thoughts" were invited to talk, introducing the origin, publishing plan and significance of the series, and discussing Mexican culture, thought and nationality around the first book of the series, Mask and Utopia: Mexican people and their cultural silhouette.

Guangzhou | Ordinary people can leave the most beautiful back —— Sharing session of the new book "We Ride a Whale"

Time:November 29th (Sunday) from 14: 00 to 16: 00.

Location:1200book&bed, Liwan Lake Park, No.116 Wuyuewai Street, Pantang, Liwan District

Guest:Sun Pin (writer), Shen Xiayan (professor, doctoral supervisor, Chinese Department, College of Literature, Jinan University), Mai Mai (writer, book reviewer, reading promoter).

The second stop of "We Ride a Whale and Go" series came to Guangzhou, and invited two guests, Shen Xiayan and Mai Mai, to share Sun Pin’s new book with readers.

Guangzhou | Ruan Yuan and Lingnan Culture in the Late Qing Dynasty: From Guangdong Tongzhi

Time:November 29th (Sunday) 15:00-17:00

Location:Multifunctional Hall, 4th Floor, Xueeryou Bookstore, No.93 Xingang West Road, Haizhu District

Speaker:Wang Meiyi (writer, scholar, director of the Institute of History, Guangzhou Academy of Social Sciences)

How did Ruan Yuan, a great scholar in the south of the Yangtze River, make great achievements in Lingnan, and make Lingnan culture full of vitality with the knowledge of practical application? What kind of cultural heritage did this outstanding literary leader leave to Guangzhou? Let’s follow teacher Wang Meiyi’s reading guide, open up thick historical materials together, start with Ruan Yuan and Guangdong Tongzhi, and go deep into the sea of Lingnan culture in that era.

Shenzhen | A World on a Desk —— Sharing Meeting of Sun Bo’s New Works

Time:November 27th (Friday) 19:00-20:30.

Location:No.2014, Fuzhongyi Road, Futian District, Shenzhen Book City Center Square

Guest:Sun Pin (writer) and Zhong Ermao (writer and director)

Sun Pin’s "We Ride a Whale" has been widely concerned since its publication. Since November, Shanghai Literature and Art Publishing House has carefully planned a series of sharing activities of "We Ride Whales". This is the first stop, and invited writer and director Zhong Ermao to talk about this new work with Sun Pin.

Hangzhou | Finding the Brush of Life in Time —— Cai Zhizhong’s 70-year life experience

Time:November 28th (Saturday) 14:00-15:30

Location:Shangcheng District Qingchun Road No.217 Book Shopping Center

Speaker:Cai Zhizhong (cartoonist)

On the afternoon of November 28th, the theme of "Finding the Brush of Life in Time-Cai Zhizhong’s 70-year Life Experience" will be held at the Book Shopping Center in Qingchun Road, Hangzhou. His two new books, "My life is up to me" and "One day in Cai Zhizhong, Yi Chan 2021 Calendar" will also be unveiled and signed for sale.

Hangzhou | One terminator line and Half Aviation History —— Readers’ Sharing Meeting of terminator line

Time:November 28th (Saturday) 14:00-16:00

Location:China Silk Museum Jinlang Xiaofeng Book House, No.73 Yuhuangshan Road, Xihu District

Speaker:Zhan Dongxin (writer)

The novel "terminator line" describes the history and present situation of China’s aviation industry in many dimensions, reveals the difficulties and contradictions in the development of China’s civil aviation, and reflects the hardships and efforts of aviation people. From the 45-year legendary experience of a pilot, it reflects the vicissitudes of China’s civil aviation, eulogizes the spirit of China’s civil aviation people who have traveled all over the world and met each other at dawn and dusk. On Saturday afternoon, Zhan Dongxin, the author and famous writer of this book, visited Xiaofeng Bookstore and Silk Museum, and told readers about the aviation history of China from the novel.

Hangzhou | The genius is on the left and the madman is on the right. Gao Ming’s first collection of short stories, The Fantasy Agent, met with the new book.

Time:November 28th (Saturday) 14:00-16:00

Location:One-way space 1F, B103, Yuanyang Ledigang Cultural Experience Zone, No.58 Lishui Road, Gongshu District

Speaker:Gao Ming (writer)

Ten years ago, a book entitled "Genius in the Left and Madman in the Right" was published, which once occupied the golden position at the gates of major bookstores; Ten years have passed, and the novel ideas of the author Gao Ming have never stopped. In 2020, he brought his first short story, The Fantasy Agent. On the afternoon of November 28th, Gao Ming will take this new book to visit Hangzhou Ledigang Store, a one-way space, and share this brand-new fantasy universe with readers and friends.

Hangzhou | At the crossroads of history, how do humans choose?

Time:14:30 on November 28th (Saturday)

Location:Lecture hall on the second floor of Zhejiang Library, No.73 Shuguang Road, Xihu District

Guest:Jiang Shengnan (writer, screenwriter) and Wang Guannan (news anchor)

On November 28th, Jiang Shengnan, a famous writer, and Wang Guannan, the host of Hangzhou TV Station, will be a guest at the No.1022 issue of Wenlan Forum. In the lecture, the two teachers will accumulate historical facts and story skills to bring readers a historical chapter that has been dusted by time.

Hangzhou | Light Pen and Light Marks —— yi pin and Zhuangzi’s Aesthetics

Time:18:30 on November 28th (Saturday)

Location:Floor 2, Nanshan Bookstore, No.218 Nanshan Road, Shangcheng District

Guest:Wang Lin (Associate Professor of China Academy of Fine Arts) and Yao Lu (Editor of Zhejiang People’s Fine Arts Publishing House)

In the history of China’s painting, the identification of the quality of painting mainly appeared in the form of evaluation of "divine product", "wonderful product", "capable product" and "yi pin". However, this "four-quality" theory of painting has always been controversial, and the main focus falls on which is higher, yi pin or Shenpin. Since the Yuan Dynasty, yi pin’s paintings have been highly regarded. In this lecture, the guests will make a rational discussion on the occurrence, development and unique social and cultural background of yi pin, the core of yi pin’s paintings, from an objective and calm modern perspective.

Hangzhou | Whatever you want, the music will be the same —— Guo Xiaohan’s new book sharing meeting of Sasha Vujacic Growth and Born Rock & Roll Hangzhou Station

Time:November 28th (Saturday) 19:00-21:00.

Location:One-way space 1F, B103, Yuanyang Ledigang Cultural Experience Zone, No.58 Lishui Road, Gongshu District

Guest:Guo Xiaohan (music critic), Zhu Qi (music composer), landlord’s cat (band), Li Xiancheng (agent).

Guo Xiaohan’s new book sharing meeting "Sasha Vujacic Growing" and "Born to Rock" was held in Hangzhou, sharing these two books and precious music stories with readers in Hangzhou.

Hangzhou | The Dislocated Life of a Generation of Emperor Song Huizong —— Wang Xiaofu’s new work Song Huizong: Genius is in the left and the son of heaven is in the right.

Time:November 29th (Sunday) 14:30-16:30

Location:China Silk Museum Jinlang Xiaofeng Book House, No.73 Yuhuangshan Road, Xihu District

Guest:Wang Xiaofu (writer), Ye Luying (illustrator) and Xu Zhouchi (professor and literary critic of Zhejiang Media College)

As soon as the historical novel Song Huizong: Genius is in the left and the son of heaven is in the right was published, it attracted people’s attention, only because its protagonist is a household name in China, but his face is vague; Empty "out of the circle" level of visibility, but lack of clear "people set" attributes. On the basis of a large number of historical documents, the author Wang Xiaofu gave a broad and in-depth panoramic description of Song Huizong’s life. In addition to carefully polishing the content, in order to conform to the classical flavor of the work, the publishing house also invited the famous illustrator Ye Luying to draw the cover and the long fold "Dream in the Southeast", which added a lot of color to the work. On Sunday afternoon, Wang Xiaofu and Ye Luying will visit Xiaofeng Bookstore Silk Museum and share this new book with guest and literary critic Xu Zhouchi.

Nanjing | What is the experience of crossing into the era of Emperor Wu of Han Dynasty?

Time:November 28th (Saturday) 14:00-15:30

Location:Open MUJI, Floor 2, Dongfang Fulaide, No.2 Zhongshan South Road, Qinhuai District

Speaker:Liu Bo (historical writer)

The era of Emperor Wu of the Han Dynasty is recognized as a prosperous time in history, but if one crosses that era, the impression of TA may be quite different from that described in the textbook. On the afternoon of November 28th, Liu Bo, a writer of literature and history, will visit Nanjing Open MUJI with his new book The Field of Sima Qian’s Memory to share his daily life and situation of Han people.

Nanjing | Another Pioneer-As a Connected Architecture

Time:November 28th (Saturday) 15:00-17:00.

Location:Pioneer bookstore, No.173 Guangzhou Road, Gulou District

Guest:Dong Gong (Architect), Xia Zhujiu (Architect and Planner, Scholar, Professor of the Model College of Architectural Internationalization of Southeast University) and Zhao Yang (Architect)

On the occasion of the 24th anniversary of Pioneer, Pioneer organized a series of activities with the theme of "architecture", connecting humanities and looking forward to "another pioneer". In recent years, pioneers focus on the countryside and devote themselves to the reconstruction of public space and order, which is the same as the contemporary practice of architectural design. In the sharing and spirit of the times shown by pioneers, the extraordinary ingenuity of architects is condensed.

Nanjing | Whatever you want, the music will be —— Guo Xiaohan’s new book Nanjing Sharing Meeting

Time:15:00 on November 29th (Sunday)

Location:Pioneer bookstore, No.173 Guangzhou Road, Gulou District

Guest:Guo Xiaohan (music critic), Huang Jiashi (media person), Wang Haiyang (lead singer of the band) and Big Orange (artist).

Guo Xiaohan’s new book sharing meeting "Sasha Vujacic Growing" and "Born to Rock" was held in Nanjing. Senior media person Huang Jiashi, lead singer of the outdoor cooperative band Wang Haiyang and independent artist Da Orange were invited to share these two books and precious music stories with readers in Nanjing.

Nanjing | Nanjing University Humanities Fund High-end Forum

Time:November 30th (Monday) 14:00-17:30

Location:403, School of History, Xianlin Campus, Nanjing University, No.163 Xianlin Avenue, Qixia District

Guest:Wang Zijin (Professor of National College of China Renmin University), Bu Xianqun (Director of the Institute of Ancient History of China Academy of Social Sciences) and Jin Wen (Professor of History Department of Nanjing Normal University).

In this forum, three scholars will share the academic topics of "Northwest and Southeast Direction of Silk Traffic in Han Dynasty", "State Form and Social Forces in Qin and Han Dynasties: Focusing on Tourists and Guests" and "Sales Contract in Yumen Huahai Bamboo Slips".

Chengdu | Fish Out in Drizzle: Bashan and Shushui and the World of Animals and Plants in Tang Poems

Time:November 28th (Saturday) 14:30-16:30

Location:No.918, South Section 1 of Tianfu Avenue, Tianfu New District, Luhu Art Exhibition Center, Luhuitang

Speaker:Ran Yunfei (scholar, writer)

China’s literature, including poetry, has always had a tradition of describing the immediate scenery-landscapes, animals and plants. When we saw that Xu Ding, a scholar in the Qing Dynasty, and Yuan Gangfeng, a Japanese scholar, and other hand-painted maps of the Book of Songs, spread endlessly, we knew that what they said was true. On the other hand, poetic geography often only pays attention to the geographical conditions of landscape rivers, ignoring the characteristics of animals and plants on them. For example, there were many poems about litchi produced in Sichuan in the Tang Dynasty, but they gradually disappeared. The reason was related to climate change, but the discussion in this aspect did not attract enough attention. In fact, most people only pay attention to the literary appreciation of poems, while scholars often only pay attention to textual research on the basis of textual research, not so much to the historical and geographical information contained in poems. Although Chen Yinque’s "Yuan Bai Poems" has been demonstrated before, there are not many practitioners, probably because of the current trend of producing more junk papers, which makes people unable to work slowly and do fine work. That’s right. In this lecture, let’s do some detailed inquiry work.

Chengdu | A taste of Sichuan flavor, a blind eye to life —— A new book sharing session of Sichuan flavor on earth

Time:November 28th (Saturday) 14:30-17:00

Location:Step theatre on the first floor of Wenxuan BOOKS, Jiufang Shopping Center, No.88 Middle Section of Fucheng Avenue, High-tech Zone

Guest:Ceng Ying (writer, screenwriter) and Hou Shanshan (news commentator)

On November 28th, Mr. Ceng Ying will come to Jiufang Store in Wenxuan BOOKS, Chengdu with the latest collection of essays, to talk about Sichuan style with sctv news commentator Hou Shanshan and share stories about Chengdu, Sichuan style and life with you.

Xi ‘an | Thought and Society Xi ‘an Station: Science Fiction and History

Time:November 28th (Saturday) 14:00-16:00

Location:No.66, Cien West Road, Yanta District, Xi ‘an Joy City L2 Yan Jiyou Reading Today

Guest:Bao Shu (science fiction writer), Xia Jian (science fiction writer) and Zhang Xi (professor and doctoral supervisor of Xiamen University)

On the afternoon of November 28th, Bao Shu and Xia Jian, two sci-fi writers, will discuss the theme of "Science Fiction and History" with Professor Zhang Xi of Xiamen University at Yanjiyou Yanta Joy City Bookstore in Xi ‘an. In most articles depicting the future, the author will not mention the past history, because the past is no longer a reference coordinate and the future will not be born from the past history. The three guests will discuss the relationship between future-oriented science fiction and history representing the past.

Xi ‘an | Archaeology Interesting: Qin Shihuang’s Soldiers and Cities

Time:November 29th (Sunday) 14:30-16:30

Location:SKP RENDEZ-VOUS, activity area, 9th floor, Xi ‘an SKP Shopping Center, No.261 Chang ‘an North Road, beilin district.

Speaker:Xu Weihong (researcher of Shaanxi Institute of Archaeology, archaeological leader of Xianyang City Site in Qin Dynasty)

As a female archaeologist, what is the difference between the life scene of Qin people, the rise of Qin country in The Secret Behind and the splendid culture created by Qin people in Xu’s eyes and the Qin dynasty that we ordinary people know? How many stories are there about the Qin Dynasty that we don’t know? On November 29th, we met in SKP RENDEZ-VOUS and walked into the Qin Dynasty, the long-sealed history, and found the stories behind the people and things left behind in the long river of history.

Changsha | The Power of Personality —— The 30th Anniversary Reading Sharing Meeting of Zeng Guofan by Tang Haoming

Time:November 28th (Saturday) 15:00-17:15

Location:Zhijian University Town Branch, No.343 Lushan South Road, Yuelu District

Guest:Tang Haoming (writer), Zhu Shucheng (editor) and libing (professor at Yuelu Academy of Hunan University)

From the first edition of Zeng Guofan to exactly 30 years this year, Hunan Literature and Art Publishing House launched the 30th anniversary commemorative edition. This Saturday afternoon, the famous writer Tang Haoming, the famous literature and history editor Zhu Shucheng and the Yuelu Academy Professor libing came to a university town store to share the theme with the 30th anniversary of Zeng Guofan, and had a live conversation with Lushan students.

Changsha | The Journey from Reality to Dream —— Between Reality and Fiction

Time:November 29th (Sunday) 15:30-17:30.

Location:Zhijian University Town Branch, No.343 Lushan South Road, Yuelu District

Guest:Peng Jianbin (writer), Kuailehao (media person) and Wu Qi (editor-in-chief of Single Reading)

Most of Peng Jianbin’s novels were written during his business trip, taking a long-distance bus to different cities, looking for hotels to stay, going to the streets to find dealers’ shops, and then going in to negotiate business-this is the reality that salesman Peng Jianbin bears. However, for the novelist Peng Jianbin, although those journeys always start from reality, they will inevitably slide into dreams and fiction in the end. Kuailehao, a journalist, seems to be able to make any character open his heart and tell his story. As the editor-in-chief of Single Reading, Wu Qi has always insisted on "fishing for stars in the sea at night", trying to break through the isolation between literature and daily life by discovering new and marginal authors, and Single Reading also walks between fiction and non-fiction. On November 29th, we invited Kuailehao and Wu Qi to Changsha and sat down with Peng Jianbin, who lives here, to share their stories, discuss truth and fiction, novels and dreams.

Zhengzhou | One Man’s Arabian Nights —— Sharing Meeting of the Servant of Time’s Single Reading New Books

Time:November 28th (Saturday) 19:00-21:00.

Location:Jinshui District Wenhua Road No.2 Songshe Bookstore

Speaker:Kuailehao (media person)

What kind of stories do people who can tell stories have? The Servant of Time is Kuailehao’s first collection of stories. How did she suddenly start telling stories? This may be another story … On November 28th, let’s listen to a storyteller and tell her own story.

    From March 31st, the civil aviation industry will usher in the flight season change in the summer of 2024. Western Airlines, a subsidiary of HNA Airlines, plans to open six new flights and resume eight domestic routes, with more than 100 passenger routes and 50 navigable cities, providing more than 1,200 flights and more than 220,000 seats every week. Among them, Chongqing plans to implement 47 routes and 41 navigation destinations, and there are 558 flights in and out of Chongqing every week, with an average of nearly 80 flights per day, which can provide more than 100,000 seats per week.

Western Airlines A320 aircraft.

   Optimizing the layout of airline network and constructing "trunk line" to serve passengers.

    In this season, Western Airlines will continue to strengthen the connection of route networks, promote the construction of backbone route networks, create a "north-south, east-west connectivity" route network layout, and further enhance the accessibility of route networks to meet the travel needs of passengers at different destinations. On the basis of stable operation of the existing routes of Chongqing, Zhengzhou and Hefei, increase the capacity, open two new routes in Chongqing, namely, Chongqing = Huizhou and Chongqing = Beihai, and resume the Chongqing = Dalian route; Newly opened Hefei = Turpan route in Hefei, and resumed Hefei = Guiyang = Xishuangbanna and Hefei = Xining routes; Restore Zhengzhou = Wenzhou, Zhengzhou = Guiyang and Zhengzhou = Ningbo in Zhengzhou. In addition, Western Airlines will open three new routes, namely Jinan = Yinchuan, Nanjing = Luzhou and Zhuhai = Hefei = Hohhot, and resume two routes, namely Jinan = Quanzhou and Quanzhou = Nanning.

    As for the two newly opened routes in Chongqing, the Chongqing = Huizhou route is implemented every Tuesday, Thursday and Saturday. The outbound flight number is PN6297, which takes off from Chongqing at 09:00 and arrives in Huizhou at 11:10. The return flight number is PN6298, which takes off from Huizhou at 12:05 and arrives in Chongqing at 14:20. After the opening of this route, there will be 9 routes connecting Chongqing with the southeast coast and Greater Bay Area, with a total of 10 flights. Chongqing = Beihai route is implemented every Monday, Wednesday, Friday and July. The outgoing flight number is PN6231, which takes off from Chongqing at 18:35 (Monday) or 18:40 (Wednesday, Friday and July) and arrives in Beihai at 20:50. The return flight number is PN6232, which takes off from Beihai at 21:55 (Monday), 22:20 (Wednesday and Sunday) or 22:50 (Friday) and arrives in Chongqing at 23:55 (Monday), 0:15 (Wednesday and Sunday) or 1:00 am (Friday) the next day. In addition, Western Airlines will resume the Chongqing = Dalian route every Tuesday, Thursday and Saturday, and continue to operate the Chongqing = Ganzhou and Chongqing = Shigatse routes exclusively.

    In the summer season of 2024, the Chongqing departure network of Western Airlines was "radial", reaching northeast and north China, east China, southeast and Greater Bay Area, northwest and southwest China, Hainan and Guangxi, and Tibet. As a whole, it showed the characteristics of "flying north and east", with flights around the Yangtze River and north of the Yangtze River accounting for more than 60%, and continued to build "trunk lines" to serve business travelers and provide them with "summer vacations"

   Introduce multiple measures of direct reduction and preferential treatment to promote the growth of aviation consumption

    In order to promote the convenience of passenger transit, improve the passenger transit experience in an all-round way, and stimulate the demand potential of the aviation market, Western Airlines will continue to expand the range of transit matching routes in the new aviation season, focusing on improving the connection degree of transit flights in Chongqing, Zhengzhou and Hefei, and passengers can enjoy a maximum direct reduction discount of 10% when taking the transit flights of Western Airlines.

    Western Airlines will also take many measures to promote the growth of aviation consumption. On the one hand, Western Airlines will give the highest 10 yuan direct discount for new and old members of Jinpeng Club to purchase tickets. After joining Jinpeng Club, they can get rich points rewards by choosing flights, staying in hotels, shopping by credit card and renting cars, and have the opportunity to exchange points for hundreds of rewards such as incentive tickets for free.

    On the other hand, Western Airlines advocates passengers to travel lightly and with low carbon, and continues to introduce affordable air tickets and service products through its "pocket money" promotion activities every Wednesday, irregular official live broadcast in Tik Tok or joint marketing live broadcast with OTA platform. Passengers can buy "naked tickets" at lower prices, and according to their own needs, they can buy their own checked baggage and on-board meals through official channels of Western Airlines, which gives them more flexible choices.

    According to the operation characteristics of summer season, Western Airlines will also plan to carry out seasonal operation risk investigation, seasonal training and education, optimize the operation guarantee scheme, identify all kinds of summer and autumn operation risks in advance, formulate emergency plans, reduce the impact of seasonal weather such as strong winds, sand blowing, thunderstorms and typhoons, continuously improve the punctuality rate of flights, and ensure the safe operation of flights and the safe and smooth travel of passengers.

    "At present, the flight ticket of Western Airlines in the summer of 2024 has been officially launched for sale. Passengers can consult and purchase tickets through Western Airlines official website (www.westair.cn), Western Airlines 24-hour service hotline 95373 or WeChat WeChat official account’ Hainan Airlines | Western Airlines’. " The staff of Western Airlines said, "The flight time may be adjusted in the middle of the season in combination with the actual situation such as changes in the off-peak season or summer vacation. Please pay attention to the route, flight time and other information before traveling, so as not to delay the trip."

    According to the relevant person in charge of Western Airlines, Western Airlines currently operates 39 Airbus A320 series aircraft, and has opened navigation flights to more than 50 cities in China, including Chongqing, Zhengzhou, Hefei, Shanghai Pudong, Chengdu Tianfu, Shenzhen, Guangzhou, Hangzhou, Nanjing, Urumqi, Lhasa, Haikou and Sanya, and is operating two international routes, namely Zhengzhou = Jeju and Changsha = Vientiane. In the future, we will focus on the main business of civil aviation transportation, deepen the aviation market of Chongqing, Zhengzhou and Hefei, constantly improve the route network layout, introduce better products and services, provide more convenience for passengers to travel, and fully promote the high-quality development of civil aviation.

　

　

　

　　CCTV News:From the 21st, Beijing will officially implement the Detailed Rules for the Management of Online Car-related Business Services, which clearly put forward the provisions of "Beijing-based personnel and vehicles", requiring individuals and vehicles accessing the online car-related platform to be audited and qualified before they can operate on the road.

　

　　Beijing Net Car New Deal Implementation　

　　On December 21, 2016, the Implementation Opinions of the General Office of the Beijing Municipal People’s Government on Deepening Reform and Promoting the Healthy Development of the Taxi Industry and the Implementation Rules for the Management of Online Booking Taxi Services in Beijing were officially released. Now, after a five-month transition period, the implementation of the New Deal for Beijing Online Car Rental has been officially implemented.

　　The requirements for vehicles in the "Detailed Rules" are as follows: 5-seat passenger cars with a displacement of not less than 1.8L；; The wheelbase of the vehicle is not less than 2650 mm; The displacement of seven passenger cars is not less than 2.0 liters, the wheelbase is not less than 3,000 mm, and it has not reached the statutory retirement age. Non-operating vehicles of government agencies, enterprises, institutions and social organizations are not allowed to engage in the operation of network car, and the pricing method of network car is reasonably determined. There must be no unfair price behavior and so on.

　　At present, five network car platforms operating in Beijing have obtained qualifications. Didi and Shenzhou are arranging drivers to obtain qualification certificates; The first car about the car announced the opening of the platform for qualified personnel and vehicles to join.

　　"One size fits all" type requires drivers to hold certificates?

　　This year, nearly 20,000 people have applied to take the test in Beijing, and more than 1,200 drivers have completed the test. "There are two kinds of online car driver exams in Beijing, one is the taxi driver transfer exam, and the other is the social driver exam." On January 26th, drivers of Beijing Net Car Company took the first batch of exams, and 73 drivers of the first car company successfully passed the exams. Meng Tao, the master of the first car about the car, received the first Beijing online car driver qualification certificate with the certificate number of 1100000001.

　　Social drivers can log in to official website, the Transportation Bureau of the Municipal Transportation Commission, to inquire about the examination syllabus, examination materials and review materials.

　　Relevant persons from the Traffic Law Enforcement Corps of the Beijing Municipal Commission of Communications said that considering that the platforms have obtained different operating licenses and drivers have different levels of examinations, after the transition period, law enforcement officers will not "across the board" require drivers to hold certificates.

　　Citizens report that it is difficult to call a car.

　　How did Beijing citizens react on the first day of the implementation of the new policy of Beijing Net Car? The reporter interviewed Beijing residents at random, and they said that it is difficult to call a car. It may have arrived in a minute or two before, but now it may take five or six minutes to more than ten minutes if it is slow. Especially when I go to work in the morning, I am in a hurry and sometimes I can’t get a taxi.

　　The detailed rules for the management of local network cars have gradually landed.

　　Beijing has officially implemented the new policy of "network car", and in Taiyuan, Shanxi, Foshan, Guangdong and other cities, the new policy of network car will also be officially implemented from June 1. From the money-burning war a few years ago to today’s standardized operation, what attitude do people have towards the new policy of online car rental?

　　In the investigation, the reporter found that with the gradual implementation of the new network car policy, many passengers began to encounter the problem of difficulty in taking a taxi. The reason behind this is the restrictions on drivers and vehicles imposed by the new policy of car rental in various places.

　　According to statistics, at present, more than 80% of drivers are required to have local household registration or residence permit in the "Detailed Rules for Online Car Rental" in 73 cities or regions across the country; The proportion of requiring the network car to have a local number plate or be registered locally is more than 90%; There are more than 40 cities, and even the wheelbase of the network car has put forward specific standards.

　　[Difficult to get a taxi]The demand for "local people’s local cars" may be nearly unresponsive

　　According to the data provided by Didi Platform, in March this year, the success rate of using express taxis in Beijing was the highest from 10: 00 am to 5: 00 pm, which was 83.2%, which was equivalent to one out of every six appointments without a driver taking orders. During the night rush hour from 9: 00 pm to 11: 00 pm, the average success rate was only 54.1%, and almost half of the orders were unanswered.

　　[Taxi is expensive]It’s not cheaper to have a premium during peak hours than ordinary taxis.

　　Another phenomenon brought about by the difficulty of taking a taxi is the rise in prices. At about 9: 30 pm, the reporter tried to make an appointment for an online car near the financial street in Beijing’s West Second Ring Road. As this is the peak time for calling a car, the fare premium is 1.3 times.

　　A few years ago, the large-scale red envelope subsidy has basically disappeared. The price of online car is not cheaper than that of ordinary taxis, while some high-end cars are more expensive.

　　[Taxi safety]Safety is greatly improved, and passengers are more assured about getting a car.

　　When the New Deal came to the ground, it seems that the online car is not easy to play than before, and the price is higher, but it also has a good side. Many passengers believe that the new policy has greatly improved the safety of the online car, which makes people feel more at ease.

　　Outdoor sports are connected with people’s livelihood at one end and economy at the other.　

　　In recent years, with the development of economy and society and the improvement of living standards, people pay more and more attention to health and quality of life, and favor leisure and sports methods close to nature. The development of outdoor sports in China has ushered in spring.　

　　1. Overview of outdoor sports industry: The projects are rich and diverse to meet the needs of different types of people.　

　　Outdoor sports was born in Europe in the 18th century, and it first existed in the form of exploration and scientific investigation. By World War II, outdoor skills and equipment such as mountaineering, rock climbing and camping had made great progress in the army. With the economic recovery after the war, outdoor sports took the lead in realizing popular development in Europe and America, and became a way of life to improve the quality of life. Various outdoor organizations and outdoor competitions began to appear.　

　　Outdoor sports are rich and varied, which can be divided into land, mountains, water, ice and snow, air movement, camping activities and outdoor games according to different natural environments. According to the professional level and activity intensity, it can be divided into three categories: professional, routine and leisure outdoor sports to meet the needs of different types of people-professional outdoor sports are often in a harsh environment, requiring participants to reach the professional level in physical fitness, psychological quality and technical equipment; Conventional outdoor sports have relatively low professional requirements, which are both challenging and adventurous; Leisure outdoor sports mainly focus on experience and relaxation, and are suitable for a wide range of people.　

　　According to the data of Tianyancha Professional Edition, up to now, there are more than 279,000 outdoor sports-related enterprises in China. Among them, from January to February 2024, more than 7,000 related enterprises were newly registered, up 3.9% compared with the same period in 2023; In terms of geographical distribution, the number of outdoor sports-related enterprises in Zhejiang, Guangdong (tied for first place), Henan and Shandong ranks in the forefront, with more than 41,000, 17,000 and 16,000 respectively. From the time of establishment, 45.9% of related enterprises were established within 1-5 years, and 25.1% were established within 1 year.

　　

　　Second, the development status of outdoor sports industry: from frisbee and camping to skiing, diving, bungee jumping and leisure coexist.　

　　With people’s pursuit of quality of life, outdoor sports are becoming more and more popular. In 2023, more people will flood into nature and feel the fun of outdoor sports. From frisbee and camping to skiing, diving and bungee jumping, outdoor sports and equipment are becoming more and more professional and hard-core, attracting more and more young people to join them.　

　　1. Development support　

　　With the improvement of people’s life and income level, outdoor sports consumption has gradually become an important consumption field for people to pursue health and quality of life. From 2022 to 2023, outdoor sports in China showed explosive growth, which promoted the rapid development of the industry. According to the data of China Outdoor Sports Industry Development Report (2022-2023), in the first half of 2023, orders related to outdoor sports increased by 79% compared with the same period in 2022, and the orders increased by 221% compared with the same period in 2019. In 2022, the market scale of outdoor products industry in China has reached 197.1 billion yuan, and it is expected to increase to 240 billion yuan in 2025. There are indications that China’s outdoor sports industry is growing rapidly, and China has become one of the countries with rapid growth in the global outdoor sports industry.　

　　With the deep integration of national fitness and national health, the outdoor sports industry, which meets the people’s needs for a better life, has entered a golden period of development, and the coexistence of market scale expansion and content quality improvement has become an important feature. Outdoor sports such as skiing, surfing, diving, mountain climbing, rock climbing, cycling, road running and fishing have gradually become new leisure choices for people to return to nature and relax in recent years. In 2022, the Outdoor Sports Industry Development Plan (2022-2025) jointly issued by the State Sports General Administration and the National Development and Reform Commission showed that by the end of 2021, the number of outdoor sports participants in China had exceeded 400 million, and the total scale of outdoor sports industry would exceed 3 trillion yuan by 2025.　

　　2. User portrait　

　　Comparing the portraits of outdoor users in a broad sense (including sports and outdoor sports), it is found that outdoor sports, especially leisure outdoor sports in recent years, show the following obvious characteristics:　

　　The post-90 s and post-80 s accounted for a larger proportion. Comparatively speaking, in outdoor sports, college students and middle-aged and elderly people account for a relatively small proportion, while the "post-80 s" groups represented by parent-child families and the middle class and the "90-95 s" groups who first entered the workplace and followed the trend constitute a relatively core part. Consumers in these two age groups have a certain economic foundation, stronger consumption power and more demands for quality life.　

　　Women account for a larger proportion. Different from traditional ball games, fitness or mountaineering and hiking, outdoor leisure sports under the new trend attract more female players, accounting for 2/3 of them, and "exquisite mother" has become one of the important labels.　

　　First-tier cities account for a larger proportion. First-tier and new first-tier cities have higher consumption capacity and pursuit of quality life and trendy things, with 65% outdoor sports participants concentrated, and their preferences affect the wind direction of the entire outdoor sports consumption market; The second, third and fourth tier cities have low penetration rate at present and are high potential areas for future market growth.　

　　Third, future development: consumer demand continues to heat up, welcoming unprecedented opportunities for development.　

　　With the continuous warming of consumer demand, the outdoor sports ecosystem is welcoming an unprecedented opportunity for development.　

　　On the one hand, hiking is becoming a new choice for modern people to escape the fast-paced life, blend in with nature and enjoy life. Walking through mountain streams, city streets, park trails and even deserts is not only a sport, but also an attitude towards life.　

　　Around hiking, jackets and sun protection clothes have become indispensable items in wardrobes. Hiking clothes hold up more than 80% of the market, and professional mountaineering and hiking shoes contribute 50% of the hiking shoes market. Small people walking upstream and cross-country gradually highlight great potential, and auxiliary equipment such as upstream shoes, cross-country running shoes, trekking poles and crampons are worthy of attention.　

　　In addition, in recent years, cycling, as a sport and social way, has been gaining popularity and the scale of related categories has continued to grow. Three different scenes, namely, urban cycling, road cycling and mountain cycling, have their own characteristics, which has brought diversified demands for cycling equipment. Every ride is a personalized equipment show, from bell and lock to watch and kettle rack, to shelves and reflective stickers.　

　　Tianyancha Research Institute believes that consumers’ preference for outdoor sports highlights their pursuit of a healthy life and also shows the huge consumption potential of the outdoor sports market.

　　At 14: 00 on May 21, 2019, the press conference of Iflytek’s "Your world is enabled by A.I." 2019 new products was held at the Shanghai World Expo Center. As a representative enterprise in the field of artificial intelligence in China, Iflytek released five brand-new products on the spot, such as smart office book, learning machine, translator, voice recorder and iFLYTEK hearing L1.

　　Intelligent office ushers in technological innovation

　　As the latest C-terminal office product in Iflytek, iFLYTEK announced the design concept and details of the smart office book at the press conference. Based on artificial intelligence, the application in the office scene has made a series of technological innovations on this product. Among them, the intelligent ink screen with 227 pixels per inch is adopted, which exceeds the definition of ordinary printed matter, and the intelligent page preloading technology has improved the problem of visual fatigue caused by flash screen; Micro-hole laser engraving technology simulates the friction feeling of "Dorian paper+pen" and reduces the writing delay to 33 milliseconds; The AI speech-to-text function can transcribe the speech of the meeting content in real time, which realizes that the equipment replaces the manual shorthand in the meeting and recording scene; The functions of cloud storage and voice search embody the advantages of high efficiency and convenience of artificial intelligence technology in handwriting, recording and writing, and voice search in office, study and life scenes. The voice cloud technology applied in products has been certified by the Ministry of Industry and Information Technology as a safe and reliable cloud and the Ministry of Public Security as a third-class insurance, and the security of data storage has been guaranteed.

　　This smart office book combines hard pen handwriting input, handwriting recognition, voice recognition, voice input, environmental noise reduction, real-time translation, digital push and other technologies to realize human-computer interaction. Some repetitive mechanical work is done by artificial intelligence technology, and the use of technological innovation provides a more efficient use experience for office and study scenes.

　　Artificial intelligence empowers the industry and joins hands with CCTV to create a media-integrated terminal.

　　At the press conference, Zhong Kun, CEO of iFLYTEK Reading and Writing, announced a strategic cooperation project with CCTV in the field of media intelligent terminals: iFLYTEK smartbook Youth Edition. The two parties will jointly build an AI intelligent media integration platform based on Iflytek’s artificial intelligence, voice interaction core technology and CCTV’s multi-terminal media integration content, and use artificial intelligence technology to promote the integration and innovation of radio and television in content production, terminal service and user interaction, so as to create more interactive intelligent media products.

　　With the gradual popularization of the application of artificial intelligence and the birth of new practical application achievements of artificial intelligence in the media industry, we have more and more clearly seen the role of artificial intelligence in promoting the development of media integration. The influence of artificial intelligence on the media industry is far-reaching, which promotes the changes in every link of the media operation process. Artificial intelligence is becoming the key point of media deep integration and empowering the media to develop intelligently.

　　Jin Yong combined chivalrous culture with Confucianism, Mohism, Taoism, Buddhism and national culture of China traditional culture, and wrote chivalrous figures with diverse values and different cultural forms. The picture shows the permanent exhibition hall "Jinyong Pavilion" of the Hong Kong Heritage Museum. Xinhua news agency

　　[literature and art watching tide]

　　October 30th is the first anniversary of the death of Mr. Jin Yong. I remember when people from all walks of life bid him farewell last year, there was a couplet with the horizontal couplet "A View of All Living Beings". "Looking at all sentient beings" has Zen meaning, which means that Jin Yong looks up to all sentient beings in the world. "A glimpse of all living beings" comes from "a glimpse of all mountains", which means that Mr. Jin Yong’s martial arts novels are an incomparable peak. This evaluation is appropriate. Martial arts novels are the quintessence of China, and there are many writers and works. Jin Yong’s novels are respected because of their higher contribution than their predecessors, and they have more inspiration for the creation of China literature at present.

　　Works are stable and far-reaching because of culture.

　　Chivalrous novels are literary readings of China’s chivalrous culture. Jin Yong’s contribution lies in the integration of chivalrous culture with Confucianism, Mohism, Taoism, Buddhism and national culture of China, and the writing of chivalrous figures with diverse values and different cultural forms.

　　Chen Jialuo’s self-cultivation, knowing that he can’t do it, shows the Confucian style ("Book Sword, Love and Hatred"); Guo Jing loves not to attack, is practical and has the demeanor of an ink man (Legend of the Condor Heroes); Yang Guo is a Taoist chivalrous man (The Condor Heroes), who goes with the flow and is affectionate. Ling Huchong is a prodigal son ("the legendary swordsman") who is chic and happy, but does not lose his principles. As for Wei Xiaobao, the interpretation of his image has more reflections on national culture (The Duke Of Mount Deer). At the beginning of his creation, Jin Yong probably didn’t expect to show China’s traditional culture in such an orderly way. However, it is naturally the best choice to find innovative paths in cultural space and deduce different cultures.

　　Martial arts novels originated from Historical Records, in which Biography of Assassin and Biography of Ranger recorded chivalrous men who worked for their masters and chivalrous men who advocated their own spirit respectively, which were the two most common types of chivalrous men in later martial arts novels. After that, China’s martial arts novels experienced three changes. "The Water Margin" is the peak of China’s ancient martial arts novels. When the chivalrous man is bound to the imperial court, the chivalrous man can only counter-insurgency and arrest thieves behind some officials, which is particularly obvious in the case-solving martial arts novels. In 1923, Xiang Kairan (Pingjiang Buxiaosheng) wrote The Legend of the Wonder Man in the Jianghu, which constructed the Jianghu world of martial arts novels. Since then, there have been various schools of martial arts novels, such as Shaolin, Wudang, Emei and Qingcheng, and the chivalrous people have their own activity space. The Jianghu world seems to be far away from the earthly world, but the chivalrous people’s personality and style can be displayed in that mysterious world full of charm, and the martial arts novels are good-looking. Jin Yong’s novels are the third change in the development of China’s martial arts novels. He created the cultural space of martial arts novels and created a model of "cultural martial arts". Martial arts novels, as genre novels, have rich connotations and profound charm, and their pattern and style have been obviously improved.

　　Literature is stable and far-reaching because of culture. Whether it is an elite novel or a popular novel, constructing a cultural space will inevitably bring rich connotations to the works. However, it is rare for Jin Yong to dabble in multiple forms of China traditional culture. More importantly, the chivalrous novels highlight the chivalrous culture. Chivalrous culture and China’s different forms of traditional culture are not only in harmony, but also have many differences in principle. However, Jin Yong can blend them together, thus showing different cultural heroes, and they are so vivid and vivid, showing that Jin Yong not only has a profound understanding and unique thinking on the values of China traditional culture, but also has superb literary accomplishment. The perfect integration of knowledge, thinking and cultivation is the only way to form classic works.

　　Ideas are lofty and profound because of choices.

　　For the country and the people, being a chivalrous person is a high evaluation of chivalrous people’s social responsibility and mission consciousness. This sense of mission is not unique to Jin Yong’s novels, but it is fully manifested in his novels.

　　Guo Jing in The Legend of the Condor Heroes led an army to attack Samarkand because Genghis Khan promised to grant him a request. He was going to propose to dissolve his engagement with Hua Zheng and marry Huang Rong, but when he saw Mongolian soldiers killing people, he put forward the request that Mongolian soldiers stop the massacre. He made a choice, saved the lives of ordinary people and gave up his personal interests. Xiao Feng in "Tian Long Ba Bu" ended his life in front of the two armies for the peace of Da Song and Da Liao.

　　The social responsibility spirit of chivalrous men in Jin Yong’s novels is not a direct deduction of ideas, but is embodied in the choice of behavior. Where there is a choice, there is a sacrifice, and the sacrifice is family hatred, happiness, and even life. The choice is always difficult, hesitant and painful. Similarly, the behavior after the choice is very real, and the concept of home and country is particularly glorious and noble. The expression of ideas comes from the inner call of characters, and the establishment of behavior comes from the final choice of rationality. This is the reason why Jin Yong’s novels are noble and unpretentious.

　　Elegance and vulgarity innovate and surpass because of confluence.

　　Martial arts novels are genre novels, and patterning is the basic form of creation. Hegemony, revenge, chivalry, treasure-grabbing and love-changing … … These patterns are essential for all martial arts novels. Mode is not a shortcoming, but a feature, which is an effective way of creation accumulated over a long period of time. Without these patterns, genre novels cannot exist. The creation of Jin Yong’s novels lies in endowing these models with souls and giving them fresh life consciousness. This soul is the "human literature" practiced by new literature writers since the May 4th Movement.

　　New literature writers focus on human nature and describe life and life value in social descriptions. Jin Yong’s novels also focus on human nature and write life and life value in the experience of Jianghu world, thus constructing a "growth model" of martial arts novels. Chen Jialuo, Yuan Chengzhi, Guo Jing, Yang Guo, Xiao Feng, Ling Huchong, Wei Xiaobao … … These characters are all types of people in the Jianghu. However, these characters are vivid and distinct, showing a wonderful life in the Jianghu. The reason for this is that Jin Yong established their human nature description and life growth as the narrative center of the novel. These types of martial arts novels have also become the story expression space to show humanity and life. Another change brought by the "growth model" with human nature and life as the narrative center is that the structure of the novel is complete. The loose ending of China’s traditional novels is an old problem, which is due to the lack of main characters throughout the novel. From ignorant teenagers to mature heroes, character growth is the main line in Jin Yong’s novels, and the process of character growth is the process of story development. The character image is successfully formed, the story is naturally complete and the structure is naturally compact.

　　The traditional aesthetic construction of novels with chapters and chapters has been modernized by Jin Yong, which is in line with reality. This is a new literary realm created by the confluence of elegance and popularity. If we think about the traditional culture highlighted in Jin Yong’s novels together, we will have a deeper understanding of the aesthetic contribution of Jin Yong’s novels. In Zhang Hui’s novels, the earliest explorer is Zhang Henshui, and the expression of human nature in his "Crying and Laughing" is still the popular mode of western human nature liberation and publicity since the May 4th Movement. Jin Yong’s novels mainly show the traditional culture of China. China’s traditional culture is a norm and an existing existence. Can we write a distinctive human nature and a wonderful life in the norm and existence? Jin Yong used practice to tell people that it is possible.

　　Skills are meaningful and lasting because of integration.

　　The skills mentioned here are divided into two parts. First, knowledge skills, such as piano, chess, calligraphy and painting, poetry, tea, wine and food, fishing and reading, etc. First, professional skills, such as academics, art, martial arts and so on. Jin Yong described these skills as a few treasures, and anyone who has read Jin Yong’s novels is deeply impressed by them. This has a lot to do with Jin Yong’s accumulation of knowledge when he was a supplement editor for a long time. The skill of writing martial arts novels is not special, and other writers also write them. Jin Yong’s novels are just more extensive. Jin Yong’s contribution lies in putting these skills into plot setting, text writing and expression of life value, which has created another interest.

　　Martial arts novels are Zhang Hui novels, and Zhang Hui in Zhang Hui’s novels is the two eyebrows of the novel. Draw these two "eyebrows" well, and the eyes below will be more divine. Jin Yong’s method is to write back his eyes with poems. The target of "Eternal Dragon Slayer" is one sentence per sentence, 7 words per sentence, and the whole book is 40 times, which together is an ancient poem. "Tian Long Ba Bu" is a lyric, and the book is divided into five volumes. Together, the titles of each volume are five words, which are five epigrams: Youth Tour, Su Muqi, Broken Array, Song of the Fairy and Shui Long Yin. It takes talent to write poems according to the connotation of the novel and to cover the content of the novel. The Duke Of Mount Deer embodies the author’s talent. It is completed by taking the couplet in the collection of poems by Cha Shenxing, the ancestor of Jin Yong. From this collection of poems, Jin Yong selected 50 conjunctions to form the 50 chapters of the novel. This is more difficult, which means that the reply was written by someone else, and you should make up stories according to the requirements of the reply. There is not necessarily a connection between returning to the eye and returning to the eye, but the whole story is closely related to causality. However, it should be noted that the original version of Jin Yong’s novels is not so exquisite. Many replies were later revised when the novel was revised. But we can also see Jin Yong’s intentions.

　　The use of poetry only shows talent. The charm of Jin Yong’s novels lies in the integration of skills to achieve the realm of transformation. Art can be turned into martial arts, so there is a "martial arts supreme, treasure knife to kill dragons." Don’t dare to disobey orders from the world. The calligraphy martial arts of "who can’t rely on heaven, who can compete with the front" has the musical martial arts of Huang Laoxie’s "Blue Ocean Tide". Academics can also be turned into martial arts. Zhang Sanfeng taught Zhang Wuji three tricks in "Eternal Dragon Slayer". After Zhang Wuji learned each trick, Zhang Sanfeng asked not "Did you remember" but "Did you forget?" Only when he forgot the tricks could he continue to learn. Forgetting is not nothing, but turning tangible into intangible, that is, Taoism’s "returning to the ID" and the highest realm of learning: infinity.

　　Such integration is still tangible. The most wonderful skill fusion is still invisible. In "Heroes of the Condor", Brother Diao took Yang Guo to the cave where his original owner lived in solitary pursuit of defeat, and showed Yang Guo the sword tomb of solitary pursuit of defeat. There is a monument on each sword grave with words inscribed on it. There are several swords he used in the sword grave, such as Qingfeng Sword, Xuantie Sword and wood blade. The inscription on it is like this:

　　It is fierce and invincible, and it is used to compete with Heshuo before it is weak.

　　Ziwei soft sword, used before the age of 30, was unlucky to accidentally injure the righteous, but it was abandoned.

　　The epee has no front, and the ingenuity does not work. Before the age of forty, I relied on it to run wild all over the world.

　　After forty years old, you can be a sword if you don’t stay in things. Since then, intensive training has gradually become better than having a sword without a sword.

　　These are the five stages of talking about martial arts, but if you think about it carefully, where are you talking about martial arts? Obviously, you are talking about life. Aren’t these five stages the five realms of life? In this novel, I also wrote that Yang Guo practiced "ecstasy". Seventeen tricks of a set of palm techniques: jumpy, out of thin air, dragging its feet, worrying alarmingly, wandering in an empty valley, unable to cope with one’s strength, walking dead, making much ado about nothing, acting perversely, forgetting to eat and sleep, being alone, eating and drinking, being restless, being at the end of the road, being pale, dreaming and being stupefied &hellip … All the tricks are heartfelt wishes, and it is Yang Guo’s longing and pain of waiting for the little dragon girl’s 16-year contract. It is a "ecstasy". Martial arts has been integrated with the mood, thinking and feeling of the characters, and it is the martial arts of the mind.

　　The fusion of skills gives life to boring knowledge, which is full of humor and agility, and is meaningful and lasting. The writer shows talent, wisdom and a unique understanding.

　　　(Author: Tang Zhesheng, distinguished professor, Soochow University)

　　On December 8th, the audience watched the women’s curling final of China Youth Open in the "Ice Cube". Xinhua News Agency reporter Yan Huanzong photo

　　Xinhua News Agency, Beijing, December 8th　Title: "Water Cube" turned into "Ice Cube" to welcome the first curling competition.

　　Xinhua News Agency reporter Ji Ye Zhang Xiao Wang Yong

　　From 3 to 8 December, the China Youth Curling Open kicked off at the National Aquatics Center. After a year of "water-ice conversion", the "Water Cube" finally turned into an "ice cube" and ushered in the first curling competition. At the same time, in the ice sports venues of the Beijing 2022 Winter Olympics and Winter Paralympics, it was the first to complete the Olympic standard ice making work.

　　After the successful bid for the Winter Olympics, Water Cube innovatively proposed "water-ice conversion" and "ice-water two-wheel drive". By building a movable and convertible ice rink, water sports venues can realize the functions of ice sports venues.

　　As the first winter Olympic stadium in the world to build a curling track in the swimming pool, it is necessary to test the transformation project of "water-ice conversion". Although this week’s events seem ordinary, they actually undertake important tasks.

　　The double Olympic venues are showing their mettle.

　　The reporter saw in the "Ice Cube" that the swimming pool of the 2008 Olympic Games has now become a curling venue for four standard tracks. Curling teenagers focus on throwing and rubbing ice, and the audience cheers for the game. This double-Olympic venue is beginning to show its heroic spirit.

　　Yang Qiyong, general manager of the National Swimming Center, said that the core of the competition facilities consists of ice making system, dehumidification system, air conditioning system, sports lighting system and control system. After a series of careful research and development, the "Water Cube" Olympic Project has successively completed the production and processing of large-scale equipment and facilities, on-site pipeline construction, and the installation of large-scale equipment since December 26, 2018. One month before the start of the competition, the facilities were debugged and put into trial operation.

　　Curling is one of the most demanding events for ice making and ice quality in all winter Olympic ice events. Ice-making in the competition is completed by a professional ice maker appointed by the World Curling Federation. After six days of actual combat, the "Ice Cube" curling ground has achieved "no deformation, no cracking and no condensation on the ice". The venue operation team ensures that the temperature and humidity of the stadium are within the requirements of the competition. In addition, questionnaires were distributed to referees, team leaders, players and spectators, and timely feedback and handling were made.

　　On December 8th, Yu Han (second from left), a first-team athlete from Shanghai, threw a pot in the women’s curling final of China Youth Open. Xinhua News Agency reporter Yan Huanzong photo

　　Feedback from all parties works well.

　　During the competition, the general contractor, the equipment supplier, the design unit, the supervision unit and the scientific research team controlled the site environment all the time. The site team and the ice maker collected a lot of data, including the ice surface temperature, the control of machinery and equipment, the indoor and outdoor air temperature, humidity and wind speed. After the competition, the research team will quickly sort out these data and form a series of special reports. According to these reports, the ice maker will sort out the final opinions, which will be evaluated and judged by the World Curling Federation.

　　Ogawa Kazuhe, director of the World Curling Federation, said: "The mobile rink will be used for the first time in the curling competition of the Winter Olympics. This mobile rink system is very successful from the test competition."

　　Hans, who has participated in the ice-making work in curling venues of the Winter Olympics many times, said: "This is an Olympic-level track, and all athletes dream of competing here. Although this is the first time that the mobile ice surface has been used in Olympic venues, its performance can be said to be perfect. "

　　Jin Zhishan, a South Korean curling star who led the Shanghai team, said: "I have played many international competitions, and I feel that it is similar to the World Championships and Winter Olympics venues, and the ice quality is very good." Japanese team coach Yuji Watanabe said that Japanese players enjoyed the game here.

　　Liu Jinli, curling coach and former world champion of Heilongjiang Ice Training Center, said that curling can be clearly felt when it is rotated inside and outside, and the flatness of this field is very good. Li Zhixia, a contestant from Beijing Chen Jinglun Middle School, said that the ice surface of the "Ice Cube" is very helpful to improve my competition results.

　　On December 8th, the audience watched the women’s curling final of China Youth Open in the "Ice Cube". Xinhua News Agency reporter Yan Huanzong photo

　　"Ice-water dual drive" focuses on the future

　　The competition lasted for 6 days, and 10 young men and 10 women competed fiercely on the brand-new ice of "Olympic standard". In the end, Japan’s Sapporo team won the first place in the men’s group and Jilin Province won the first place in the women’s group. The competition attracted more than 10 thousand people to watch the game, and the peak number of people watching the game in a single game reached more than 2,600.

　　In the venue, some simulated skiing experience games attracted many children to participate. Swimming, fitness and water recreation parks are also open as usual, truly achieving "ice and water two-wheel drive". During the renovation, the venue also hosted the opening ceremony of the 2019 FIBA Basketball World Cup.

　　Under the situation that there is a shortage of ice operation talents in China, the National Aquatics Center adopts the mode of cooperation between enterprises and schools to set up an "ice-making talent order class" to train ice-making and ice operation and maintenance talents in advance for the future development of the venue. In this competition, students from the order class participated in the whole process, from laying ice pipes before the competition, making ice and pouring ice, to maintaining the ice surface during the competition. At the scene, I got the personal demonstration and hands-on guidance from international ice makers.

　　It is reported that Olympic-quality curling venues will be used for mass experience and popularization of curling events for a period of time after December 9. The renovation project of the curling venue of the National Swimming Center will be completed in the middle of next year to welcome the curling test of the Winter Olympics and Paralympic Games in early 2021.

　　Beijing Radio and Television Station Winter Olympics Documentary Channel and Ultra HD Video (Beijing) Production Technology Collaborative Center conducted an 8K broadcast test for the first match and the men’s and women’s finals. This is also the first time in China to conduct an 8K broadcast test for winter events. The live events will be broadcast on Beijing Radio and Television Station Winter Olympics Documentary Channel on December 14th and 15th.

　　The competition was hosted by the Winter Sports Management Center of the State Sports General Administration and the China Curling Association, and was undertaken by the Beijing Municipal Sports Bureau, the Chaoyang District Government of Beijing and the National Aquatics Center, with the support of the Beijing Winter Olympics Organizing Committee.

Reporter Jin Cuo reports On November 1 ST, Xiamen Egret Stadium, when the Australian referee blew the final whistle, Shui Qingxia first stamped, then stood still, and her face was full of unwillingness-the last Olympic preliminaries, China and South Korea 1-1, both out early. After the World Cup and the Asian Games, the women’s football team in China also suffered a failure in the Olympic preliminaries, because "all three failed".

China women’s football team will have no competition task for more than two years before the start of the 2026 Women’s Asian Cup. How to sink down and find the direction? What kind of road should we take? Who should lead the team on this new journey? This is everyone’s question, including Song Kai, the president of the Football Association, who watched the live broadcast.

In three matches, China women’s football team won 1, drew 1 and lost 1, which is in line with the current strength. There is no surprise, only confusion.

633 days ago, when the China women’s football team regained the Asian Cup championship in India after 16 years, the outside world thought that the sonorous rose had found the right girl, and it was just around the corner to rise again, but it was even hit, hurting many people and waking many people. It turned out that the Asian Cup champion was only a flash in the pan-it was also a fate, and a variety of coincidences made it that champion.

Shui Qingxia later said that she hoped the players would continue to work hard and "don’t lie on the credit book"-in the past, China women’s football team was "disdainful" to the Asian Cup champion to some extent, because we were fighting for the World Cup champion and the Olympic gold medal, but now we can’t even get into the Olympic Games.

A cruel fact is that the Asian Cup champion may be the "honor" ceiling of China women’s football team for quite some time.

Over the years, China women’s football team has given the outside world an illusion that our personal skills or basic skills are still good. But judging from the three competitions this year, the skills of China women’s football team are very poor! Sometimes, even if there is no confrontation, the basic movements are not in place. There are almost all the "faults" of men’s football and women’s football. Therefore, in China football, the so-called "masculinization" of women’s football is actually an irony.

Some people will say that, at least, the women’s football team in China fought hard, and there is no doubt about this. However, if there is only a "fighting spirit", it is sad, because you find that sometimes you can’t fight hard, and that’s the case with the World Cup against England, even though some players "deny it".

Of the 22 players selected for the Olympic preliminaries, there are really not many players who give people hope. Returning to the Women’s World Cup, we are thinking about a question. In the case that Europe and the United States are better than us, what direction should China women’s football team or Asia take? The Philippines and South Korea chose naturalization, while the direction of Japanese women’s football team is to continue to adhere to technicalization-and what about China women’s football team? This point, from one of the few players who has been unanimously affirmed by the outside world in the three competitions this year, may not be difficult to get the answer. You can vaguely see the shadow of the old women’s football team in her body.

In the next few years, we don’t have a big game to play. In fact, we can settle down and train well. Youth training is the foundation. At the level of the national team, whether many veterans will continue to be retained, or whether they will be given a heavy responsibility after being retained, their use, or role conversion, needs the coaching staff to think carefully and carefully-or, let’s just say it, let young people show more, and use it as the spirit of youth training to reshape the sonorous rose.

Some people may say that the Korean women’s football team is different from ours, but in fact, this "difference" is even more embarrassing-after four years of "closed door", North Korea returned to the rivers and lakes in the Asian Games and won the silver medal, and its strength is still the same. Moreover, it has completed the replacement. In this Olympic preliminaries, they reached the final four.

The living environment of Korean women’s football team is not clear to the outside world, but we know that there are no players studying abroad, and they all play in local leagues. One question is, is the level of Korean leagues higher than that of women? If so, doesn’t that mean that the league we have worked so hard to build is just a show?

But that’s the answer. Although the women’s super clubs didn’t get the bonus of "Jinyuan Football" in those years, most of them can survive now with government background. Moreover, because they undertake the task of the National Games, they are still valued to some extent, at least they won’t be easily abandoned. But the cruel fact is that the training level of the clubs, including women’s super clubs, is really not good, or even worse than that of the sports teams in those years.

The root cause is closely related to the level of coaches. An insider said: China’s local coaches prefer the men’s Super League, China A, China B and the echelon, and only when there is no place to go will they choose the women’s football team. Their level is not high, and even the coaches in the women’s football team are even lower. Even so, these coaches are highly mobile and can’t stay. So, will the players taught by this kind of coach have a future? Or "usable"?

Shui Qingxia, who has many years of coaching experience in the club, admits that the training level of women’s super teams is very average except for a few strong teams. Therefore, before the competition, she is more willing to let the players train for a long time, so that she can "make up lessons".

Of course, such a choice is only a kind of thinking, not a wooden bridge. For the women’s football team in China, it is actually possible to walk on two legs, one is focused training, and the other is continuous study abroad. Long-term training, there are many opponents of public opinion, but there are not a few supporters in the circle, especially in the local coach circle. It is even said that the way the national team plays women’s super is also an exploration. "Even if these people can’t play the main force in the future, they will at least increase the thickness of the bench."

As for studying abroad, most people agree with it, and it is already in action. In this Olympic preliminaries, China women’s football team has eight players studying abroad, plus injured Shoupeng Wang. The number is not small, but from the performance point of view, it does not show any advantages. It is a fact that few of our players studying abroad play a leading role in the club, and some even just play the role of soy sauce. It is useless for players to study abroad for the sake of studying abroad and for the sake of "making friends".

Therefore, in the future, studying abroad is not just a whim of a season, but requires continuous output, and at the same time, it is necessary to choose a more suitable club and league for players. It is necessary to help the players improve, but also to consider their own strength positioning, not to mention that studying abroad will definitely be able to play the main force-at least to compete for posts, rather than just blindly pursuing giants, so that the best results can be achieved.

After the Olympic preliminaries, Shui Qingxia and her coaching staff ended their mission. As for the future, she doesn’t know.

For Shui Qingxia, there is a lot of criticism from the outside world. She thinks that her level is limited and she can’t continue to improve women’s football. After the World Cup, there have been voices calling for her to leave class.

Shui Qingxia went through several twists and turns when she took office. After leading the United team to win the gold medal in the National Games, she did not sign up for the women’s football coach, but in the end, the senior management chose to push her to that position.

The level of Shui Qingxia’s coaching is different, but it is wrong to kill her with a stick. After all, the current women’s football team may not be better than her.

China women’s football team has a "gap period" of more than two years, so it doesn’t need to be so utilitarian. Next, it can be "managed" well, and the China Football Association should also consider whether to change coaches, and if so, what kind of coaches to change.

At present, there are several options for the future women’s football coach. One is to keep water to celebrate the summer; The second is to hire foreign coaches; The third is to choose local male coaches.

The three choices have their own reasons and disadvantages, but what the China Football Association should remember is that the women’s football team has been tossing and turning, and foreign coaches have invited it. The men have Bruno and Eyjolfsson, and the women have domanski and Elizabeth. The only successful one is Bruno. Unfortunately, because of the poor record in the warm-up match, the China Football Association and others dismissed it, resulting in FIFA; Local men’s coaches have also been used, such as Zhang Haitao and Pei Encai in the early days, Li Xiaopeng and Hao Wei later, and Jia Xiuquan recently. It is true that Ma Yuanan and Ma Liangxing have found the right pulse and are close to success, but what they do now may not be suitable.

Therefore, the future China women’s football team, the coach must "fit" or "adapt", but what kind of fit? This requires Song Kai and representatives from all aspects of the women’s football community to conduct in-depth research and communication, and listen to opinions widely. If Shuiqingxia does not stay, Japanese coach is actually a good choice.